{"product_id":"yes_timea_2606-1","title":"Yes - Time And A Word - White Hot Stamper","description":"\u003cp\u003eOn the best copies of Yes's second album, the cymbal crashes are big and powerful with correct high frequency extension. The sound of the organs and synths is huge, immediate and -- above all -- \u003ci\u003ereal\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eThis British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to \"see\" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- \u003ci\u003ethis sound\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIf you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of Time And A Word Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n\u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in \u003ca href=\"\/search?q=tag:%221970%22\"\u003e\u003cstrong\u003e1970\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n\u003cli\u003eNatural tonality in the midrange -- with all the instruments having the correct timbre\u003c\/li\u003e\n\u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional studio space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo doubt there's more but we hope that should do for now. \u003ci\u003ePlaying the record is the only way to hear all of the qualities we discuss above,\u003c\/i\u003e and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.\u003c\/p\u003e\n\u003ch3\u003eYes in the Seventies\u003c\/h3\u003e\n\u003cp\u003eAcoustic guitar reproduction is superb on the better copies of this recording. The harmonic coherency, the richness, the body and the phenomenal amounts of Tubey Magic can be heard on every strum.\u003c\/p\u003e\n\u003cp\u003eThe amount of effort that went into the recording of this album is comparable to that expended by the engineers and producers of bands like Supertramp, The Who, Jethro Tull, Ambrosia, Pink Floyd and far too many others to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.\u003c\/p\u003e\n\u003cp\u003eYes is clearly one of the handful of bands to produce an immensely enjoyable and meaningful body of work throughout the 70s, music that holds up to this day. The music on their albums, so multi-faceted and multi-layered, will surely reward the listener who makes the effort to dive deep into their complex soundscapes.\u003c\/p\u003e\n\u003cp\u003eRepeated plays are the order of the day. The more critically you listen, the more you are apt to discover within the exceedingly dense mixes favored by the band. And the better your stereo gets, the more you can appreciate the care and effort that went into the production of their recordings.\u003c\/p\u003e\n\u003ch3\u003eShooting Out the Tough Ones\u003c\/h3\u003e\n\u003cp\u003eYes albums always make for tough shootouts. Like Pink Floyd, a comparably radio-friendly \u003ca href=\"\/search?q=tag:%22prog-rock%22\"\u003e\u003cstrong\u003eProg Rock\u003c\/strong\u003e\u003c\/a\u003e band, their everything-but-the-kitchen-sink approach to recording makes it difficult to translate their complex sounds to disc, vinyl or otherwise. Everything has to be tuned up and on the money before we can even hope to get the record sounding right. (Careful VTA adjustment could not be more critical in this respect.)\u003c\/p\u003e\n\u003cp\u003eIf we're not hearing the sound we want, we keep messing with the adjustments until we do. There is no getting around sweating the details when sitting down to test a complex recording such as this. If you can't stand the tweaking tedium, get out of the kitchen (or listening room, as the case may be). Obsessing over every aspect of record reproduction is what we do for a living. Pink Floyd's recordings require us to be at the top of our game, both in terms of reproducing their albums as well as evaluating the merits of individual pressings.\u003c\/p\u003e\n\u003cp\u003eWhen you love it, it's not work -- it's fun. Tedious, occasionally exasperating fun, but fun nonetheless.\u003c\/p\u003e\n\u003ch3\u003eWhat We're Listening For On Time And A Word\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnergy\u003c\/strong\u003e for starters. What could be more important than the life of the music?\u003c\/li\u003e\n\u003cli\u003eThen: \u003cstrong\u003epresence and immediacy\u003c\/strong\u003e. The vocals aren't \"back there\" somewhere, lost in the mix. They're front and center where any recording engineer -- Eddie Offord in this case -- worth his salt would put them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Big Sound\u003c\/strong\u003e comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.\u003c\/li\u003e\n\u003cli\u003eThen \u003cstrong\u003etransient information\u003c\/strong\u003e -- fast, clear, sharp attacks, not the smear and thickness so common to most LPs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTight punchy bass\u003c\/strong\u003e -- which ties in with good transient information, also the issue of frequency extension further down.\u003c\/li\u003e\n\u003cli\u003eNext: \u003cstrong\u003etransparency\u003c\/strong\u003e -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtend the top and bottom\u003c\/strong\u003e and \u003ci\u003evoila\u003c\/i\u003e, you have The Real Thing -- an honest to goodness Hot Stamper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic that is a key part of the appeal of these wonderful recordings.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e","brand":"Yes","offers":[{"title":"Default Title","offer_id":52028333621544,"sku":"yes_timea","price":699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/files\/yes__timea.jpg?v=1782154601","url":"https:\/\/better-records.com\/products\/yes_timea_2606-1","provider":"Better Records","version":"1.0","type":"link"}