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Nearly White Hot Stamper - Stevie Wonder - The Secret Life of Plants

The copy we are selling is similar to the one pictured above.

Nearly White Hot Stamper

Stevie Wonder
The Secret Life of Plants

Tamla
Regular price
$199.99
Regular price
Sale price
$199.99
Unit price
per 
Availability
Sold out

Sonic Grade

Side One:

Side Two:

Side Three:

Side Four:

Vinyl Grade

Side One: Mint Minus Minus*

Side Two: Mint Minus Minus (often quieter)

Side Three: Mint Minus Minus

Side Four: Mint Minus Minus (often quieter)

  • Wonder's wonderful documentary soundtrack from 1979 makes its Hot Stamper debut here with nearly Triple Plus (A++ to A+++) sound or close to it on all four sides - just shy of our Shootout Winner
  • The sound here is bigger and livelier than practically any other we played - above all it's balanced, avoiding the tonality issues we heard on so many other pressings
  • "... there is beauty here. Stevie’s unquenchable desire for experimentation and love for melody are in full effect, and some of the magic and mystery of the botanic planet is evoked."
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*NOTE: on side one, the intro to track 1, Earth's Creation, is moderately crackly.

These Nearly White Hot Stamper pressings have top quality sound that's often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers ("relative" being relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don't agree, please feel free to return the record for a full refund, no questions asked.

This vintage Tamla pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.

What the best sides of this superb soundtrack album have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1979
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange -- with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional space of the studio

No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We're Listening For on Stevie Wonder's Journey Through "The Secret Life of Plants"

  • Energy for starters. What could be more important than the life of the music?
  • The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information -- fast, clear, sharp attacks, not the smear and thickness common to most LPs.
  • Tight, note-like bass with clear fingering -- which ties in with good transient information, as well as the issue of frequency extension further down.
  • Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the players.
  • Then: presence and immediacy. The vocals aren't "back there" somewhere, way behind the speakers. They're front and center where any recording engineer worth his salt would have put them.
  • Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.

Vinyl Condition

Mint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic that is a key part of the appeal of these wonderful recordings.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.


Side One

Earth's Creation
The First Garden
Voyage to India
Same Old Story
Venus' Flytrap and the Bug
Ai No, Sono

Side Two

Seasons
Power Flower
Send One Your Love (Music)
Race Babbling

Side Three

Send One Your Love
Outside My Window
Black Orchid
Ecclesiastes
Kesse Ye Lolo De Ye
Come Back As A Flower

Side Four

A Seed's A Star and Tree Medley
The Secret Life of Plants
Tree
Finale

U Discover Music Review

Journey Through The Secret Life Of Plants is an exceptionally long suite of often lengthy mood pieces in which “songs” are few and far between, and grooves in the funky sense rarely crop up. But there is beauty here. Stevie’s unquenchable desire for experimentation and love for melody are in full effect, and some of the magic and mystery of the botanic planet is evoked.

Stevie’s obsession with electronics allied to the sort of jazzy chords he favoured are in evidence throughout; this could not be the work of anyone else. It’s a soundtrack, not really a Stevie Wonder album, but the fact that there’s a sprinkling of songs worthy of Stevie’s classic albums amid the scene-setting sounds is a bonus. It may be a curiosity, but the album’s very existence was some kind of wonder in itself, and the love and almost obsessional nurture that went into it sing out of every track.