{"product_id":"waterprosa_2606","title":"Waters, Roger - The Pros and Cons of Hitch Hiking - White Hot Stamper","description":"\u003cp\u003eLet me tell you, it's no walk in the park to find a copy of The Pros and Cons of Hitch Hiking that sounds as good as this one and plays as quietly. Those of you who like Floyd's The Final Cut will probably get a lot out of this album.\u003c\/p\u003e\n\u003cp\u003eThis is the first solo Roger Waters album, although apparently these songs date back to The Wall album. Waters was writing this material at the same time he was composing The Wall and even gave the band the choice of which project they wanted to tackle. The Wall obviously became one of the most popular albums in rock history, while this album, whatever its merits, didn't get nearly as much attention.  \u003ca href=\"search?q=tag:%22Eric-Clapton%22\"\u003e\u003cstrong\u003eEric Clapton\u003c\/strong\u003e\u003c\/a\u003e and \u003ca href=\"search?q=tag:%22David-Sanborn%22\"\u003e\u003cstrong\u003eDavid Sanborn\u003c\/strong\u003e\u003c\/a\u003e help fill out Waters' band here.\u003c\/p\u003e\n\u003cp\u003eThis album has an interesting concept -- the songs happen in \"real time,\" which is to say the story takes place completely within the playing time of the record. Each track is subtitled with the time that the events are supposed to take place, and there's even an extra minute between the A side and the B side to allow you to flip the record.\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of The Pros and Cons of Hitch Hiking Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n\u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as \u003ca href=\"search?q=tag:%221984%22\"\u003e\u003cstrong\u003e1984\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n\u003cli\u003eNatural tonality in the midrange -- with all the instruments having the correct timbre\u003c\/li\u003e\n\u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional space of the studio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo doubt there's more but we hope that should do for now. \u003ci\u003ePlaying the record is the only way to hear all of the qualities we discuss above,\u003c\/i\u003e and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.\u003c\/p\u003e\n\u003ch3\u003eBest Practices\u003c\/h3\u003e\n\u003cp\u003eIf you have five or ten copies of a record and play them over and over against each other, the process itself teaches you what's right and what's wrong with the sound of the album. Once your ears are completely tuned to what the best pressings do well that the others do not do as well, using a few specific passages of music, it will quickly become obvious how well any given pressing reproduces those passages.\u003c\/p\u003e\n\u003cp\u003eThe process is simple enough. First, you go deep into the sound. There you find something special, something you can't find on most copies. Now, with the hard-won knowledge of precisely what to listen for, you are perfectly positioned to critique any and all pressings that come your way.\u003c\/p\u003e\n\u003ch3\u003eWhat We're Listening For On The Pros and Cons of Hitch Hiking\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnergy\u003c\/strong\u003e for starters. What could be more important than the life of the music?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Big Sound\u003c\/strong\u003e comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.\u003c\/li\u003e\n\u003cli\u003eThen \u003cstrong\u003etransient information\u003c\/strong\u003e -- fast, clear, sharp attacks for the guitars and drums, not the smear and thickness common to most LPs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTight, punchy bass\u003c\/strong\u003e -- which ties in with good transient information, as well as the issue of frequency extension further down.\u003c\/li\u003e\n\u003cli\u003eNext: \u003cstrong\u003etransparency\u003c\/strong\u003e -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the players.\u003c\/li\u003e\n\u003cli\u003eThen: \u003cstrong\u003epresence and immediacy\u003c\/strong\u003e. The musicians aren't \"back there\" somewhere, way behind the speakers. They're front and center where any recording engineer worth his salt would have put them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtend the top and bottom\u003c\/strong\u003e and \u003ci\u003evoila\u003c\/i\u003e, you have The Real Thing -- an honest to goodness Hot Stamper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eThe Players and Personnel\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBacking Vocals – Madeline Bell\u003c\/li\u003e\n\u003cli\u003eDrums – Andy Newmark\u003c\/li\u003e\n\u003cli\u003eElectric Guitar – Eric Clapton\u003c\/li\u003e\n\u003cli\u003eOrchestra – The National Philharmonic Orchestra\u003c\/li\u003e\n\u003cli\u003eOrgan – Andy Bown\u003c\/li\u003e\n\u003cli\u003ePercussion – Ray Cooper\u003c\/li\u003e\n\u003cli\u003ePiano, Conductor, Producer, Arranged By – Michael Kamen\u003c\/li\u003e\n\u003cli\u003eSaxophone – David Sanborn\u003c\/li\u003e\n\u003cli\u003eTwelve-String Guitar – Andy Bown\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic that is a key part of the appeal of these wonderful recordings.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e\n","brand":"Waters, Roger","offers":[{"title":"Default Title","offer_id":52039275479336,"sku":"waterprosa","price":699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/files\/waterprosa.jpg?v=1727539182","url":"https:\/\/better-records.com\/products\/waterprosa_2606","provider":"Better Records","version":"1.0","type":"link"}