Muddy Waters
Muddy "Mississippi" Waters Live

If you’ve got the system to play a record like this (the bigger the better), you can have Muddy Waters perform live in your listening room -- eyes closed of course; you won’t be able to see him, but you sure will be able to hear him, and in shockingly realistic sound.

It’s amazing how well recorded Muddy’s later albums are. Who knew?

His earlier records on Chess may be better; can’t say, haven’t found too many that were in playable condition. But they sure won’t sound like this, or be pressed on quiet Blue Sky vinyl like this.

Muddy Waters won the Grammy three years in a row, for Hard Again (1977), I’m Ready (1978) and this album. At least one, and maybe even all three belong in any serious record collection (along with Dixon’s I Am the Blues).

This is Muddy Waters at his best. He’s going down to Florida, where the sun shines damn near every day, so catch him before he gets on his train. There won’t be many copies on the site like this one.

This vintage pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.

What The Best Sides Of Muddy "Mississippi" Waters Live Have To Offer Is Not Hard To Hear

• The biggest, most immediate staging in the largest acoustic space
• The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1979
• Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
• Natural tonality in the midrange -- with all the instruments having the correct timbre
• Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

1979 – The Year in Music

1979 sure was an interesting year. The Wall, Breakfast in America, London Calling, Off the Wall, Get the Knack, Damn the Torpedoes, Armed Forces, Spirits Having Flown, Tusk, The B-52s, Rust Never Sleeps, Rickie Lee Jones, Candy-O -- quite a lot of variety, and a surprising number of these albums have really stood the test of time.

Put Muddy “Mississippi” Waters Live in that group. You’ll be playing it for many years to come.

What We're Listening For On Muddy "Mississippi" Waters Live

• Energy for starters. What could be more important than the life of the music?
• Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.
• The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
• Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
• Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
• Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
• Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.

Vinyl Condition

Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.

Side One

• Mannish Boy
• She’s Nineteen Years Old
• Nine Below Zero
• Streamline Woman

Side Two

• Howling Wolf
• Baby Please Don’t Go
• Deep Down in Florida