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Super Hot Stamper - Jerry Jeff Walker - Mr. Bojangles

The copy we are selling is similar to the one pictured above.

Super Hot Stamper

Jerry Jeff Walker
Mr. Bojangles

Regular price
$99.99
Regular price
Sale price
$99.99
Unit price
per 
Availability
Sold out

Sonic Grade

Side One:

Side Two:

Vinyl Grade

Side One: Mint Minus to Mint Minus Minus

Side Two: Mint Minus to Mint Minus Minus

  • A wonderful find of Jerry Jeff's from 1968, with outstanding Double Plus (A++) sound on both sides - exceptionally quiet vinyl too
  • Clean and clear, rich and natural, with good vocal presence and wonderful energy throughout
  • The title track sounds amazing, but that's just one of the great songs with excellent sound on the album
  • The engineering team of Tom Dowd and Phil Iehle really worked their magic on this one
  • 4 1/2 Stars: "...Walker favored the country and folk side of folk-rock much more than the rock side."
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This is only the second title by Jerry Jeff that we've been able to do shootouts for. Most of the records we've played of his from the '70s left a lot to be desired sonically and we gave up on them.

His Vanguard release from 1969 has superb sound, as does this Atco from 1968. There may be one or two more coming down the pike but that could be many years from now. His records never sold all that well, and not many of them can be found in Southern California.

What to Listen For (WTLF)

This copy has the kind of sound we look for in a top quality Country Folk record. A few qualities to listen for:

Our hottest Hot Stamper copies are simply doing more of these things better than the other copies we played in our shootout.

The best copies have:

  • Greater immediacy in the vocals (most copies are veiled and distant to some degree);
  • Natural tonal balance (many copies are at least slightly brighter or darker than ideal; those with the right balance are the exception, not the rule);
  • Good solid weight (so the bass sounds full and powerful);
  • Spaciousness (the best copies have wonderful studio ambience and space);
  • Tubey Magic, without which you might as well be playing a CD;
  • And last but not least, transparency, the quality of being able to see into the studio, where there is plenty of musical information to be revealed in this sometimes simple, sometimes complex and sophisticated recording.

Best Practices

If you have five or ten copies of a record and play them over and over against each other, the process itself teaches you what's right and what's wrong with the sound of the album. Once your ears are completely tuned to what the best pressings do well that the others do not do as well, using a few specific passages of music, it will quickly become obvious how well any given pressing reproduces those passages.

The process is simple enough. First, you go deep into the sound. There you find something special, something you can't find on most copies. Now, with the hard-won knowledge of precisely what to listen for, you are perfectly positioned to critique any and all pressings that come your way.

Vinyl Condition

Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful originals.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.


Side One

Gypsy Songman
Mr. Bojangles
Little Bird
I Makes Money (Money Don't Make Me)
Round And Round
I Keep Changin'

Side Two

Maybe Mexico
Broken Toys
The Ballad Of The Hulk
My Old Man

AMG Review

Jerry Jeff Walker's debut introduced his dry vocals and narrative songwriting style, with support from many session musicians, the most notable of whom were Ron Carter and David Bromberg. The influence of Bob Dylan and other singer/songwriters of the time is felt fairly strongly on this extremely low-key release (especially on the seven-minute "Desolation Row"-like "The Ballad of the Hulk"), but Walker favored the country and folk side of folk-rock much more than the rock side. The title track, taken into the Top Ten by the Nitty Gritty Dirt Band, remains his most famous song.