{"product_id":"steelgauch_2605","title":"Steely Dan - Gaucho - Nearly White Hot Stamper (With Issues)","description":"\u003cp\u003e\u003cstrong\u003e*NOTE:\u003c\/strong\u003e There is a stitch that plays at a light to moderate level and intermittently for approx. the first 90 seconds of track 1 on side 1, \"Babylon Sisters.\" This same section plays closer to Mint Minus Minus to EX++ as a result.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*NOTE:\u003c\/strong\u003e Side 1 of this record was not noisy enough to rate our M-- to EX++ grade, but it's not quite up to our standards for Mint Minus Minus either. If you're looking for quiet vinyl, this is probably not the best copy for you.\u003c\/p\u003e\n\u003cp\u003eThese \u003ca href=\"\/collections\/nearly-white-hot\"\u003e\u003cstrong\u003eNearly White Hot Stamper\u003c\/strong\u003e\u003c\/a\u003e pressings have top-quality sound that's often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (\"relative\" meaning relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don't agree, please feel free to return the record for a full \u003ca href=\"\/pages\/money-back-guarantee\"\u003e\u003cstrong\u003erefund\u003c\/strong\u003e\u003c\/a\u003e, no questions asked.\u003c\/p\u003e\n\u003cp\u003eVintage covers for this album are hard to find in exceptionally clean shape. Most of the will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eEvery instrument taking part in this complex, richly imagined sonic tapestry sits perfectly in its own place, and, more importantly for us audiophiles, its own \u003ci\u003espace\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eThe average pressing we auditioned was somewhat opaque and compressed, throwing a veil over the vocals and setting them further back on the stage.\u003c\/p\u003e\n\u003cp\u003eNot this copy -- the transparency and dynamics are superb, highlighting Donald Fagen's moody, emotive singing while his ensemble of hand-picked studio cats wails away behind him with abandon (but not too much abandon; can't lose our Steely Dan cool don't you know).\u003c\/p\u003e\n\u003cp\u003eAdd a handful of oh-so-sultry female vocalists to sex it up and you have one transcendent musical experience.\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of Gaucho Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n\u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as \u003ca href=\"\/search?q=tag:%221980%22\"\u003e\u003cstrong\u003e1980\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n\u003cli\u003eNatural tonality in the midrange -- with all the instruments (and effects!) having the correct timbre\u003c\/li\u003e\n\u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional studio space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo doubt there's more but we hope that should do for now. \u003ci\u003ePlaying the record is the only way to hear all of the qualities we discuss above,\u003c\/i\u003e and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.\u003c\/p\u003e\n\u003ch3\u003eWhat We're Listening For On Gaucho\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnergy\u003c\/strong\u003e for starters. What could be more important than the life of the music?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Big Sound\u003c\/strong\u003e comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.\u003c\/li\u003e\n\u003cli\u003eThen \u003cstrong\u003etransient information\u003c\/strong\u003e -- fast, clear, sharp attacks for the guitars, keyboards and drums, not the smear and thickness common to most LPs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTight, note-like bass with clear fingering\u003c\/strong\u003e -- which ties in with good transient information, as well as the issue of frequency extension further down.\u003c\/li\u003e\n\u003cli\u003eNext: \u003cstrong\u003etransparency\u003c\/strong\u003e -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the players.\u003c\/li\u003e\n\u003cli\u003eThen: \u003cstrong\u003epresence and immediacy\u003c\/strong\u003e. The vocals aren't \"back there\" somewhere, way behind the speakers. They're front and center where any recording engineer worth his salt -- \u003ca href=\"\/search?q=tag:%22elliot-scheiner%22\"\u003e\u003cstrong\u003eElliot Scheiner\u003c\/strong\u003e\u003c\/a\u003e and \u003ca href=\"\/search?q=tag:%22roger-nichols%22\"\u003e\u003cstrong\u003eRoger Nichols\u003c\/strong\u003e\u003c\/a\u003e in this case -- would have put them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtend the top and bottom\u003c\/strong\u003e and \u003ci\u003evoila\u003c\/i\u003e, you have The Real Thing -- an honest to goodness Hot Stamper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eA Special Feeling\u003c\/h3\u003e\n\u003cp\u003eFew copies are capable of giving us the feeling we got from this LP -- that ethereal illusion of being in the room while the band is playing. People really go crazy over this kind of sound. Records like this are few and far between, but when you find one, the effect it can have on you may make you go a little overboard too.\u003c\/p\u003e\n\u003cp\u003eYou might even feel the need to write us a letter. It's the kind of experience that compels you to find some way to share it with the world. The problem is that those reading your letter don't have a copy with the kind of sound you have, and they therefore can't experience the music the way you can. If they haven't heard it for themselves, it's all just talk, the kind of crap you can read on any internet forum about any piece-of-junk record ever made.\u003c\/p\u003e\n\u003cp\u003eThat's why we love to hear from people who've actually played the very same record we did. We know why they've flipped out. We flipped out too!\u003c\/p\u003e\n\u003ch3\u003eThree Demo Discs\u003c\/h3\u003e\n\u003cp\u003eOf all the great albums Steely Dan made, and that means their seven original albums and nothing that came after, there are only three in our opinion that actually support their reputation as studio wizards and recording geniuses. Chronologically they are Pretzel Logic, Aja, and Gaucho. Every sound captured on these albums is so carefully crafted and considered that it practically brings one to tears to contemplate what the defective DBX noise reduction system did to the work of genius that is Katy Lied, their best album and the worst sounding.\u003c\/p\u003e\n\u003cp\u003eThe first two albums can sound very good, but none of those can compete with The Big Three mentioned above for sonics. A Hot Stamper copy of any of them would be a serious Demo Disc on anyone's system.\u003c\/p\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e\n\u003ch3\u003eTrack Commentary\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eTracklist\u003c\/strong\u003e tab above will take you to a select song breakdown for each side, with plenty of What to Listen For advice. Other records with track breakdowns can be found \u003ca href=\"\/search?q=tag:%22track-commentary%22\"\u003e\u003cstrong\u003ehere\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e","brand":"Steely Dan","offers":[{"title":"Default Title","offer_id":51789711868200,"sku":"steelgauch","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/files\/steelgauch.jpg?v=1737482471","url":"https:\/\/better-records.com\/products\/steelgauch_2605","provider":"Better Records","version":"1.0","type":"link"}