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Super Hot Stamper - Marty Robbins - Hawaii's Calling Me

The copy we are selling is similar to the one pictured above.

Super Hot Stamper

Marty Robbins
Hawaii's Calling Me

Columbia Records
Regular price
$74.99
Regular price
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$74.99
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Sonic Grade

Side One:

Side Two:

Vinyl Grade

Side One: Mint Minus to Mint Minus Minus

Side Two: Mint Minus to Mint Minus Minus

  • With a nearly Triple Plus (A++ to A+++) side one and a side two that's very respectable in its own right, this copy has the rich, sweet, sound we love
  • The kind of Tubey Magical, tonally correct, spacious sound on this stereo 360 pressing is nothing less than an audiophile THRILL
  • The only other Robbins record that can hold a candle to this one is Gunfighter Ballads & Trail Songs
  • "Robbins performs beautifully, creating a breezy mood that marks one of pop music's better attempts at the genre."
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Fairly quiet vinyl too!

The Analog sound of this pressing makes a mockery of even the most advanced digital playback systems, including the ones that haven't been invented yet. I'd love to play this for Neil Young so he can see what he's up against. Good Luck, Neil, you're going to need it.

We've been through dozens of Columbia albums from the '60s since we discovered how good the Marty Robbins titles on Columbia can sound. Most of the popular vocal and country albums we play have an overall distorted sound, are swimming in reverb, and come with hard, edgy, smeary vocals to boot.

To find an album with freakishly good sound such as this involves a healthy dose of pure luck. You will need to dig through an awfully big pile of vinyl to uncover a gem of this beauty.

Vocals Are Key

Like any good Elvis or Nat "King" Cole record, the vocal quality that is far and away the most important is that they must be full-bodied, rich and smooth. Without that sound, you might as well be playing a CD. This is precisely what both sides here give you - Tubey Magical Richness in spades.

Note that the heavy reverb not only sounds right for this music and this era but actually sounds great, the very opposite of the hard, sour, metallic digital reverb that replaced it decades later.

Old and New

This '60s LP has the kind of Tubey Magical Midrange that modern pressings cannot BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing any sign of coming back.

Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.). The music is not so much about the details in the recording, but rather in trying to recreate a solid, palpable, real person singing live in your listening room. The best copies have an uncanny way of doing just that.

If you exclusively play modern repressings of older recordings (this one is now 44 years old), I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but less than one out of 100 new records do, if our experience with the hundreds we've played can serve as a guide.

Skip the Mono

Stick with stereo on this title; the monos aren't worth anybody's time (scratch that: any audiophile's time). If you see one for a buck at a garage sale, pick it up for the music, and then be on the lookout for a nice stereo original to enjoy for the sound.

360 Sound

The "360 Sound" tab above reproduces the technical information supplied with this recording. Check it out, vintage vinyl fans should get a kick out of it.


Side One

Lovely Hula Hands
The Sea and Me
Ka-lu-a
The Night I Came Ashore
Echo Island
Kuu ipo Lani (My Sweetheart, Lani)
Beyond the Reef

Side Two

The Hawaiian Wedding Song
Drowsy Waters (Wailana)
Hawaiian Bells
My Wonderful One
Blue Sand
Hawaii's Calling Me
The Hawaiian Wedding Song

AMG Review

Marty Robbins clearly felt great affinity for the music of Hawaii, and the 28 tracks on this collection contain some of his finest and most evocative singing. Although the venture wasn't commercially successful, and the music occasionally suffers the intrusion of schmaltzy Nashville production, Robbins performs beautifully, creating a breezy mood that marks one of pop music's better attempts at the genre.