Side One: Mint Minus Minus
Side Two: Mint Minus Minus
- This superb collaboration has KILLER Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
- Musically, this is by far our favorite Poll Winners record - these guys got back together after 15 years and were eager to prove that they still had their youthful exuberance, and even better chops, which they did have and did prove!
- 4 1/2 stars: "Kessel in particular is heard in excellent form... Overall this is the best all-around recording by The Poll Winners and is easily recommended to bop fans."
100% Money Back Guarantee on all Hot Stampers
FREE Domestic Shipping on all LP orders over $75
These guys play with more spunk here than on any other album of theirs I've ever heard. And you have to love those '70s leisure suits they're wearing on the cover. I remember my commentary when this record was around, mentioning that Roy DuNann had lost none of his engineering skills in the intervening years either.
This is a very dynamic recording, one of his best. You almost never hear cymbals sound this good on an RVG Blue Note, that's for sure. The bass definition on this record is amazing -- you can really hear Ray Brown pulling and bending the strings of the instrument. He's tearing it up.
This vintage Contemporary pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.
What amazing sides such as these have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1975
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
What We Listen For on Straight Ahead
- Energy for starters. What could be more important than the life of the music?
- The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.
Mint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic that is a key part of the appeal of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
Someday My Prince Will Come
One Foot Off The Curb
15 years after their last joint recordings, the Poll Winners (a trio with guitarist Barney Kessel, bassist Ray Brown and drummer Shelly Manne) had a reunion for this excellent session... ..All three players had grown quite a bit musically since the 1950s and Kessel in particular is heard in excellent form on the three standards and three swinging originals. Overall this is the best all-around recording by The Poll Winners and is easily recommended to bop fans.
- Choosing a selection results in a full page refresh.
- Press the space key then arrow keys to make a selection.