The copy we are selling is similar to the one pictured above.
Side One: Mint Minus to Mint Minus Minus
Side Two: Mint Minus to Mint Minus Minus
- You'll find outstanding Double Plus (A++) sound or close to it on both sides of this wonderful early pressing, guaranteed to beat anything you've heard - exceptionally quiet vinyl too
- We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you've heard, and that's especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- "Southern Accents is an ambitious album, attempting to incorporate touches of psychedelia, soul, and country into a loose concept about the modern South... "Rebels" and "Spike" are fine rockers, and "Don't Come Around Here No More" and "Make It Better (Forget About Me)" expand The Heartbreakers' sound nicely."
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If you've tried to find a good sounding copy of this album you could easily be forgiven for throwing in the towel -- we almost did ourselves, and more than once. We've cleaned and played a pile of copies over the years, and now we are glad to report that this one sounds like a completely different album -- it's rich, smooth, and sweet, a big step up over the typical gritty, grainy copy.
Credit must obviously go to the man behind the console, Shelly Yakus, someone who we freely admit, now with a sense of embarrassment, had never been one of our favorite engineers. After hearing a White Hot Stamper pressing of Damn the Torpedoes and a killer copy of Crack the Sky's Animal Notes, as well as amazing sounding pressings of Moondance (his first official lead engineering gig) and Twelve Dreams of Dr. Sardonicus, we realize that we have seriously underestimated the man.
What the best sides of Southern Accents have to offer is not hard to hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as 1985
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We're Listening For on Southern Accents
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
- It Ain't Nothin' to Me
- Don't Come Around Here No More
- Southern Accents
- Make It Better (Forget About Me)
- Dogs on the Run
- Mary's New Car
- The Best of Everything
Produced by Dave Stewart, Southern Accents is an ambitious album, attempting to incorporate touches of psychedelia, soul, and country into a loose concept about the modern South... "Rebels" and "Spike" are fine rockers, and "Don't Come Around Here No More" and "Make It Better (Forget About Me)" expand The Heartbreakers' sound nicely.