The copy we are selling is similar to the one pictured above.
Side One: Mint Minus Minus
Side Two: Mint Minus Minus
- With two insanely good sides, each earning Shotoout Winning Triple Plus (A+++) grades, this copy KILLED all of the competition
- We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you've heard, and that's especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- 5 Stars: "Good Old Boys is one of Newman's finest albums; it's also one of his most provocative and infuriating, and that's probably just the way he wanted it."
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With Lenny Waronker and Russ Titelman producing, and Lee Herchberg and Donn Landee engineering, this album has the smooth, rich, analog sound you would expect, and it just happens to be a sound we love here at Better Records. It's vintage 1974 Reprise.
The best pressings are big and rich and so enjoyable, precisely the sound you never find on CD. It's also the sound our Hot Stampers deliver in spades, rich, sweet, smooth analog, with not a trace of phoniness.
This vintage Reprise pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.
What amazing sides such as these have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1974
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
What We're Listening For on Good Old Boys
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful originals.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
Mr. President (Have Pity on the Working Man)
Every Man a King
A Wedding in Cherokee County
Back on My Feet Again
Randy Newman's songwriting often walks a narrow line between intelligent satire and willful cruelty, and that line was never finer than on the album Good Old Boys. Newman had long displayed a fascination with the American South, and Good Old Boys was a song cycle where he gave free reign to his most imaginative (and venomous) thoughts on the subject... Good Old Boys is one of Newman's finest albums; it's also one of his most provocative and infuriating, and that's probably just the way he wanted it.
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