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White Hot Stamper - Carlos Montoya - Flamenco Concert

The copy we are selling is similar to the one pictured above.

White Hot Stamper

Carlos Montoya
Flamenco Concert

RCA LP
Regular price
$99.99
Regular price
Sale price
$99.99
Unit price
per 
Availability
Sold out

Sonic Grade

Side One:

Side Two:

Vinyl Grade

Side One: Mint Minus Minus (w/ a mark near the end of track one that plays fifteen times at a light to moderate level)

Side Two: Mint Minus Minus

  • KILLER sound throughout with both sides earning Triple Plus (A+++) grades or very close to them
  • The overall sound here is incredibly big, rich and Tubey Magical with tons of space and plenty of energy; Montoya's guitar is really jumping out of the speakers!
  • "Montoya is credited with having transformed flamenco guitar music into a separate music style, beyond being a traditional dance accompaniment. He adapted flamenco to other genres of music to create his own recognizable style, becoming an international star." - Wikipedia
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This vintage RCA pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performer, and feeling as if you are sitting in the concert hall, this is the record for you. It's what vintage all analog recordings are known for -- this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.

What is lost in these newly remastered recordings? Lots of things, but the most obvious and bothersome is TRANSPARENCY. And the loss of transparency in a live concert hall recording is practically the kiss of death.

What amazing sides such as these have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1964
  • Natural tonality in the midrange -- with the guitar having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional space of the concert hall
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

Vinyl Condition

Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful originals.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.


Side One

Alegrias Flamencas
Farruca
Seguiriya
Corralera Y Bolera
Jota

Side Two

Saeta
Buleria
Ecos De Sierra Nevada
Petenera
Blues In The Night