{"product_id":"mitchforth_2605-1","title":"Mitchell, Joni - For The Roses - Super Hot Stamper (With Issues)","description":"\u003cp\u003e\u003cstrong\u003e*NOTE:\u003c\/strong\u003e On side 1, there are superficial marks on track 2 (\"Cold Blue Steel and Sweet Fire\") and track 5 (\"Let the Wind Carry Me\") that do not play and cannot be heard.\u003c\/p\u003e\n\u003cp\u003eVintage covers for this album are hard to find in exceptionally clean shape. Most of the will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eThis copy has real energy and dynamics that just could not be heard on most other pressings we played. With dynamics \u003ci\u003eand\u003c\/i\u003e the warmth and richness found here, this copy will be hard to beat.\u003c\/p\u003e\n\u003cp\u003eListen to how huge the piano is. No two copies will show you the same piano, which makes it a great test for sound. Both sides have clear, present, breathy vocals, about as good as Joni can sound on vinyl, which is saying a lot.\u003c\/p\u003e\n\u003cp\u003eThis vintage Asylum pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to \"see\" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- \u003ci\u003ethis sound\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIf you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of For The Roses Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n\u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in \u003ca href=\"\/search?q=tag:%221972%22\"\u003e\u003cstrong\u003e1972\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n\u003cli\u003eNatural tonality in the midrange -- with all the instruments having the correct timbre\u003c\/li\u003e\n\u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional studio space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo doubt there's more but we hope that should do for now. \u003ci\u003ePlaying the record is the only way to hear all of the qualities we discuss above,\u003c\/i\u003e and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.\u003c\/p\u003e\n\u003ch3\u003eWe Was Wrong\u003c\/h3\u003e\n\u003cp\u003eAbout ten years ago, we thought For The Roses was the best sounding of all Joni's albums, as you can see from the commentary below.\u003c\/p\u003e\n\u003cblockquote\u003e\u003ci\u003eThis is probably the most underrated Joni Mitchell album, both in terms of sonics and music. It seems that everyone wants a great copy of Blue or Court And Spark, but this album ranks right up there with them and does not deserve to be overlooked.\u003c\/i\u003e\u003c\/blockquote\u003e\n\u003cblockquote\u003e\u003ci\u003eLet's face it, we love Blue (1971) but most pressings suffer from a raft of sonic problems, as does Ladies of the Canyon (1970).\u003c\/i\u003e\u003c\/blockquote\u003e\n\u003cblockquote\u003e\u003ci\u003eCourt and Spark (1974) is up at the top up the list as well, but Roses (1973) seems to have more recording purity. Perhaps the engineers saw this as an opportunity to address the problems with Blue on this, its follow-up.\u003c\/i\u003e\u003c\/blockquote\u003e\n\u003cblockquote\u003e\u003ci\u003eBy the time Joni had fully indulged her jazzier inclinations with Court and Spark some of the recording quality had been lost in the quest for slicker production values. The complexity of the instrumentation required more multi-tracking and overdubbing, and as good as that record can sound on the best copies, in a head to head matchup with For the Roses the latter would probably win, and probably by no more than a nose.\u003c\/i\u003e\u003c\/blockquote\u003e\n\u003cp\u003eWe take it all back. As we have made more and more improvements to the stereo, room, record cleaning and such, Court and Spark has pulled ahead in the race for the Best Sounding Joni Mitchell Album, and Blue is up there too.\u003c\/p\u003e\n\u003cp\u003eI would still rank them Court, Roses and then Blue. But three better sounding records by one artist -- assuming you have good copies to work with -- would be hard to find\u003c\/p\u003e\n\u003ch3\u003eWhat We're Listening For On For The Roses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnergy\u003c\/strong\u003e for starters. What could be more important than the life of the music?\u003c\/li\u003e\n\u003cli\u003eThen: \u003cstrong\u003epresence and immediacy\u003c\/strong\u003e. The vocals aren't \"back there\" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt -- \u003ca href=\"\/search?q=tag:%22henry-lewy%22\"\u003e\u003cstrong\u003eHenry Lewy\u003c\/strong\u003e\u003c\/a\u003e in this case -- would have put them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Big Sound\u003c\/strong\u003e comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.\u003c\/li\u003e\n\u003cli\u003eThen \u003cstrong\u003etransient information\u003c\/strong\u003e -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTight punchy bass\u003c\/strong\u003e -- which ties in with good transient information, also the issue of frequency extension further down.\u003c\/li\u003e\n\u003cli\u003eNext: \u003cstrong\u003etransparency\u003c\/strong\u003e -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtend the top and bottom\u003c\/strong\u003e and \u003ci\u003evoila\u003c\/i\u003e, you have The Real Thing -- an honest to goodness Hot Stamper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMore of What to Listen For\u003c\/h3\u003e\n\u003cp\u003eThe second track on side one, \"Cold Blue Steel and Sweet Fire,\" is a great test. Here the guitars are full-bodied, harmonically rich, with more reverb and space than practically any side one we have ever played. The Tubey Magical liquidity of the sound is what vintage analog is all about. No reissue and no CD will ever get that sound the way this copy does.\u003c\/p\u003e\n\u003cp\u003eThat's the sound we love here at Better Records. Even if your system is all transistor, that guitar will sound like you own the most Tubey Magical equipment in the world. The magic is on the tape and it was transferred beautifully to this piece of vinyl.\u003c\/p\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful originals.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e","brand":"Mitchell, Joni","offers":[{"title":"Default Title","offer_id":51848663793960,"sku":"mitchforth","price":74.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/files\/R-10467769-1626197302-6643_a13894f4-a3c2-4f3c-acb9-c3e73660c10c.jpg?v=1715701807","url":"https:\/\/better-records.com\/products\/mitchforth_2605-1","provider":"Better Records","version":"1.0","type":"link"}