The copy we are selling is similar to the one pictured above.
Side One: Mint Minus to Mint Minus Minus
Side Two: Mint Minus to Mint Minus Minus
- This original Slash pressing was doing just about everything right, earning outstanding Double Plus (A++) grades or BETTER from start to finish - exceptionally quiet vinyl too
- Both sides are rich and smooth like good ANALOG should be, with plenty of energy and rock and roll drive
- Guaranteed to be a huge improvement over anything you've heard, this copy is big, punchy, and full-bodied with excellent presence
- 4 stars: "While the soundtrack album to the movie La Bamba, released the same year, captured Los Lobos at their most carefree and high-spirited as they called up the spirit of Ritchie Valens, By the Light of the Moon showed the other side of the coin as the group looked into the hearts and souls of themselves and the community around them, and if it's a harder album to enjoy than those that preceded it, its depth rewards repeated listenings."
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Vintage covers for this album are hard to find in exceptionally clean shape. Most of the will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG
This original Slash pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.
What The Best Sides Of By the Light of the Moon Have To Offer Is Not Hard To Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as 1987
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
Standard Operating Procedures
What are the criteria by which a record like this should be judged? Pretty much the ones we discuss in most of our Hot Stamper listings: energy, vocal presence, frequency extension (on both ends), transparency, harmonic textures (freedom from smear is key), rhythmic drive, tonal correctness, fullness, richness, and so on down through the list.
When we can get all, or most all, of the qualities above to come together on any given side we provisionally award it a grade of "contender." Once we’ve been through all our copies on one side we then play the best of the best against each other and arrive at a winner for that side. Repeat the process for the other side and the shootout is officially over. All that’s left is to see how the sides matched up.
Record shootouts may not be rocket science, but they're a science of a kind, one with strict protocols developed over the course of many years to ensure that the sonic grades we assign to our Hot Stampers are as accurate as we can make them.
The result of all our work speaks for itself, on this very record in fact. We guarantee you have never heard this music sound better than it does on our Hot Stamper pressing -- or your money back.
What We're Listening For On By the Light of the Moon
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
- One Time One Night
- Shakin' Shakin' Shakes
- Is This All There Is?
- Prenda Del Alma
- All I Wanted To Do Was Dance
- Set Me Free (Rosa Lee)
- The Hardest Time
- My Baby's Gone
- River Of Fools
- The Mess We're In
- Tears Of God
AMG 4 Star Review
On How Will the Wolf Survive?, Los Lobos seemed to be feeling out the boundaries of how much they could say about the hard realities of life within the framework of good-time R&B-flavored rock & roll, and on their next album, 1987's By the Light of the Moon, the group gently shifted their focus to favor their more contemplative side.
While the band certainly hadn't lost the ability to rock out (check out "My Baby's Gone" or "Shakin' Shakin' Shakes" for proof), most of the album displayed a lighter touch musically, with David Hidalgo's deft lead guitar and Cesar Rosas' precise rhythm chords fueling lean but smoky R&B numbers like "Is That All There Is?" and "All I Wanted to Do Was Dance" and understated musical snapshots like "One Time, One Night" and "River of Fools."
Lyrically, By the Light of the Moon is dominated by the sad mysteries of life and the less-than-generous nature of fate, as ordinary people try to come to terms with death ("One Time, One Night"), disappointment ("Is That All There Is?"), love that's faded into the shadows ("The Hardest Time"), and the mingled comfort and uncertainties of faith ("Tears of God").While the soundtrack album to the movie La Bamba, released the same year, captured Los Lobos at their most carefree and high-spirited as they called up the spirit of Ritchie Valens, By the Light of the Moon showed the other side of the coin as the group looked into the hearts and souls of themselves and the community around them, and if it's a harder album to enjoy than those that preceded it, its depth rewards repeated listenings.