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Lennon, John - Walls and Bridges - Super Hot Stamper (With Issues)

The copy we are selling is similar to the one pictured above.

Super Hot Stamper (With Issues)

John Lennon
Walls and Bridges

Regular price
$169.99
Regular price
Sale price
$169.99
Unit price
per 
Availability
Sold out

Sonic Grade

Side One:

Side Two:

Vinyl Grade

Side One: Mint Minus Minus

Side Two: Mint Minus Minus*

  • This outstanding pressing boasts solid Double Plus (A++) sound from first note to last
  • Both of these sides are full-bodied, rich and Tubey Magical with lots of extension on both ends
  • "...the best moments come when Lennon is more open with his emotions, like on 'Going Down on Love,' 'Steel and Glass,' and the beautiful, soaring 'No. 9 Dream.'"

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*NOTE: On side two, the intro of Track 3, Steel And Glass, plays Mint Minus Minus to EX++.

Walls and Bridges may not be the high point of Lennon's solo career but there are some wonderful songs on this album and it was quite a treat to finally hear them sound right. It's tough to find Hot Stamper John Lennon albums so if you're a fan I think you'll be very pleased at what a serious step up in quality this copy represents over any other you might have heard.

Going Down On Love and Old Dirt Road (co-written with Harry Nilsson!) are especially lovely.

Some classic tracks that everybody knows are here as well: #9 Dream, Whatever Gets You Thru The Night and Nobody Loves You (When You're Down And Out).

What the Best Sides of Walls and Bridges Have to Offer Is Not Hard to Hear

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1974
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange -- with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We're Listening For on Walls and Bridges

  • Energy for starters. What could be more important than the life of the music?
  • Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.
  • The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
  • Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
  • Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
  • Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.

Vinyl Condition

Mint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.

Side One

  • Going Down On Love
  • Whatever Gets You Thru The Night
  • Old Dirt Road
  • What You Got
  • Bless You
  • Scared

Side Two

  • #9 Dream
  • Surprise, Surprise (Sweet Bird Of Paradox)
  • Steel And Glass
  • Beef Jerky
  • Nobody Loves You (When You're Down And Out)
  • Ya Ya

AMG Review

Walls and Bridges was recorded during John Lennon's infamous "lost weekend," as he exiled himself in California during a separation from Yoko Ono. Lennon's personal life was scattered, so it isn't surprising that Walls and Bridges is a mess itself, containing equal amounts of brilliance and nonsense. Falling between the two extremes was the bouncy Elton John duet "Whatever Gets You Thru the Night," which was Lennon's first solo number one hit. Its bright, sunny surface was replicated throughout the record, particularly on middling rockers like "What You Got" but also on enjoyable pop songs like "Old Dirt Road." However, the best moments on Walls and Bridges come when Lennon is more open with his emotions, like on "Going Down on Love," "Steel and Glass," and the beautiful, soaring "No. 9 Dream."