{"product_id":"holstplane_mehta_2606-1","title":"Holst - The Planets \/ Mehta \/ L.A. Phil - White Hot Stamper","description":"\u003cp\u003e\u003cstrong\u003e*NOTE:\u003c\/strong\u003e There is a dimple in the vinyl that plays as 4 light pops at the start of the first movement on side 2, \"Saturn, the Bringer of Old Age — Adagio.\"\u003c\/p\u003e\n\u003cp\u003eThis vintage London pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to \"see\" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- \u003ci\u003ethis sound\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIf you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of The Planets Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n\u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in \u003ca href=\"\/search?q=tag:%221971%22\"\u003e\u003cstrong\u003e1971\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n\u003cli\u003eNatural tonality in the midrange -- with all the instruments having the correct timbre\u003c\/li\u003e\n\u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional studio space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo doubt there's more but we hope that should do for now. \u003ci\u003ePlaying the record is the only way to hear all of the qualities we discuss above,\u003c\/i\u003e and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.\u003c\/p\u003e\n\u003ch3\u003eBlockbuster\u003c\/h3\u003e\n\u003cp\u003eThis is what we sometimes refer to as 'Blockbuster Sound.' It does not sound very much like a live orchestra, nor is it trying to. It’s trying to be huge and powerful in your home.\u003c\/p\u003e\n\u003cp\u003eIt’s more in line with a rock demo disc such as Crime of the Century or Dark Side of the Moon, in the sense that everything has been carefully placed in the soundfield, each with its own space and sonic qualities.\u003c\/p\u003e\n\u003cp\u003eIt’s not the recreation of a live orchestral event -- it’s the actual creation of a unique orchestral staging of its own making.\u003c\/p\u003e\n\u003cp\u003eWhich is ironic. HP talked about The Absolute Sound of live unamplified music as being the standard, yet somehow this recording ended up in his Top Twelve All Time Greats. Makes no sense to me, but neither do many of the records on the TAS Super Disc list.\u003c\/p\u003e\n\u003cp\u003eThat said, our current favorite Planets is the other Planets on the TAS list, Previn’s performance for EMI.\u003c\/p\u003e\n\u003ch3\u003eSpeakers Corner and Super Analogue\u003c\/h3\u003e\n\u003cp\u003eAvoid both of the above mentioned Heavy Vinyl pressings. I would award a failing grade to the former; it’s unbelievably bad. I’d go with a C Minus or so for the Super Analogue. It’s not awful but it is bloated and dark like most of the records that label put out. Any good import pressing will kill it.\u003c\/p\u003e\n\u003ch3\u003eWhat We're Listening For On The Planets\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnergy\u003c\/strong\u003e for starters. What could be more important than the life of the music?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Big Sound\u003c\/strong\u003e comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.\u003c\/li\u003e\n\u003cli\u003eThen \u003cstrong\u003etransient information\u003c\/strong\u003e -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePowerful bass\u003c\/strong\u003e -- which ties in with good transient information, also the issue of frequency extension further down.\u003c\/li\u003e\n\u003cli\u003eNext: \u003cstrong\u003etransparency\u003c\/strong\u003e -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtend the top and bottom\u003c\/strong\u003e and \u003ci\u003evoila\u003c\/i\u003e, you have The Real Thing -- an honest to goodness Hot Stamper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e\n\u003ch3\u003eA Tough Record to Play\u003c\/h3\u003e\n\u003cp\u003eThe Planets is a \u003ca href=\"\/search?q=tag:%22difficulty-of-reproduction%22\"\u003e\u003cstrong\u003edifficult record to reproduce\u003c\/strong\u003e\u003c\/a\u003e. Do not attempt to play it using anything other than the highest quality equipment.\u003c\/p\u003e\n\u003cp\u003eAccurate VTA adjustment for classical records is critical to their proper reproduction. If you do not have an arm that allows you to easily adjust its VTA, then you will just have to do it the hard way (which normally means loosening a set screw and moving the arm up and down until you get lucky with the right height).\u003c\/p\u003e\n\u003cp\u003eYes, it may be time consuming, it may even be a major pain in the ass, but there is no question in my mind that you will hear a dramatic improvement in the sound of your classical records once you have learned to precisely adjust the VTA for each and every one of them. We heard the improvement on this record, and do pretty much on all the classical LPs we play. All records really.\u003c\/p\u003e\nVTA is not a corner you should be cutting. Its careful adjustment is critical. Of course, so are anti-skate, azimuth and tracking weight. The links below have a fair amount of advice on turntable setup which might be worth checking out.","brand":"Holst, Gustav","offers":[{"title":"Default Title","offer_id":51983199174952,"sku":"holstplane_mehta","price":699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/files\/holstplane_mehta.jpg?v=1781629689","url":"https:\/\/better-records.com\/products\/holstplane_mehta_2606-1","provider":"Better Records","version":"1.0","type":"link"}