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Super Hot Stamper - Hampton Hawes - The Green Leaves of Summer

The copy we are selling is similar to the one pictured above.

Super Hot Stamper

Hampton Hawes
The Green Leaves of Summer

Contemporary Records / OJC
Regular price
$199.99
Regular price
Sale price
$199.99
Unit price
per 
Availability
Sold out

Sonic Grade

Side One:

Side Two:

Vinyl Grade

Side One: Mint Minus Minus (often quieter than this grade)

Side Two: Mint Minus Minus (often quieter than this grade)

  • An outstanding copy with solid Double Plus (A++) sound or BETTER from the first note to the last
  • This '70s pressing boasts clean, clear and lively sound, with lovely space around all of the instruments
  • Not an easy title to find, and this one is about as quiet as they usually come -- Mint Minus Minus
  • 4 1/2 stars: "Hawes had lost nothing of his swinging style while in prison, as can be heard on such numbers as "Vierd Blues," "St. Thomas" and "Secret Love," and he was just starting to hint at moving beyond bop. Recommended."
More Hampton Hawes

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This Contemporary Yellow Label LP has wonderful Contemporary All Tube sound, courtesy of the amazing engineering of Howard Holzer. The piano is right -- weighty and percussive with a full-bodied tone. The bass definition is superb. The clarity and transparency here are nothing short of breathtaking.

Steve Ellington's brush work on the snare is very clear on this copy, helping to push the music to the next level. On the great Sonny Rollins track, St. Thomas, Steve Ellington is doing some fancy playing on the rims of his drums -- the ambience bouncing off the studio walls is amazing.

A major highlight here is the completely original interpretation of Blue Skies. Hawes gets going with some really complicated two-handed playing. With the superb clarity of this copy you won't miss a note.

What the best sides of The Green Leaves of Summer have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1964
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange -- with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We're Listening For on The Green Leaves of Summer

  • Energy for starters. What could be more important than the life of the music?
  • The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
  • Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
  • Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
  • Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.

Vinyl Condition

Mint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.


Side One

Vierd Blues
The Green Leaves of Summer
Ill Wind
St. Thomas

Side Two

Secret Love
Blue Skies
The More I See You
G.K. Blues

AMG 4 1/2 Star Review

Pianist Hampton Hawes' first recording after serving five years in prison finds Hawes evolving a bit from a Bud Powell-influenced bop pianist to one familiar with more modern trends in jazz... this trio date finds Hawes interacting closely with bassist Monk Montgomery and drummer Steve Ellington (making his recording debut). Hawes had lost nothing of his swinging style while in prison, as can be heard on such numbers as "Vierd Blues," "St. Thomas" and "Secret Love," and he was just starting to hint at moving beyond bop. Recommended.