{"product_id":"harribluek_2511_2_5x__","title":"Harris, Emmylou - Blue Kentucky Girl - White Hot Stamper (With Issues)","description":"\u003cp\u003e\u003cstrong\u003e*NOTE:\u003c\/strong\u003e On side 1, there is a white spot in the vinyl that plays as 14 moderate thuds near the start of track 3, \"Rough and Rocky.\" On side 2, there is a stitch that plays 22 times (20 light, 2 loud) near the start of track 1, \"Sorrow in the Wind.\"\u003c\/p\u003e\n\u003cp\u003eThis vintage Warner Brothers pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to \"see\" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- \u003ci\u003ethis sound\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIf you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of Blue Kentucky Girl Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n    \u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n    \u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in \u003ca href=\"search?q=tag:%221979%22\"\u003e\u003cstrong\u003e1979\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n    \u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n    \u003cli\u003eNatural tonality in the midrange -- with all the instruments having the correct timbre\u003c\/li\u003e\n    \u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional studio space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\n    No doubt there's more but we hope that should do for now. \u003ci\u003ePlaying the record is the only way to hear all of the qualities we discuss above,\u003c\/i\u003e and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.\u003c\/p\u003e\n\u003ch3\u003eI'll Take This EH on WB Over AK On MoFi Any Day\u003c\/h3\u003e\n\u003cp\u003eThe sound is especially rich and sweet, with none of the transistory grain so common to WB albums from this era. It blows the doors off of a record like the MFSL Alison Krauss. In fact, this record is the perfect example of what's wrong with that pressing. Listen to the quality of the voices and acoustic instruments on this album, then compare them to your Krauss MoFi -- you know, the one that got all the raves in the audiophile press. I am sure you'll hear a world of difference between the two. Yes, it's that obvious -- to me, to you, but apparently not to anyone who reviews records for audiophiles because I sure didn't see anybody calling it out for its dubious sound.\u003c\/p\u003e\n\u003ch3\u003eAmazingly Good Warner Brothers Sound\u003c\/h3\u003e\n\u003cp\u003eIf you like the sound of the best Warner Brothers recordings from about the same timeframe -- think Ry Cooder's Jazz and Rickie Lee Jones' debut to name a couple -- you'll find much to like about the sound here. It's incredibly detailed but not at all phony -- just what you need to appreciate the sound of the various stringed instruments, including acoustic guitars, electric guitars, archtop guitars, mandolins, fiddles, autoharp and more.\u003c\/p\u003e\n\u003ch3\u003eWhat We're Listening For On Blue Kentucky Girl\u003c\/h3\u003e\n\u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eEnergy\u003c\/strong\u003e for starters. What could be more important than the life of the music?\u003c\/li\u003e\n    \u003cli\u003eThen: \u003cstrong\u003epresence and immediacy\u003c\/strong\u003e. The vocals aren't \"back there\" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eThe Big Sound\u003c\/strong\u003e comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.\u003c\/li\u003e\n    \u003cli\u003eThen \u003cstrong\u003etransient information\u003c\/strong\u003e -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTight punchy bass\u003c\/strong\u003e -- which ties in with good transient information, also the issue of frequency extension further down.\u003c\/li\u003e\n    \u003cli\u003eNext: \u003cstrong\u003etransparency\u003c\/strong\u003e -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eExtend the top and bottom\u003c\/strong\u003e and \u003ci\u003evoila\u003c\/i\u003e, you have The Real Thing -- an honest to goodness Hot Stamper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful originals.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e","brand":"Harris, Emmylou","offers":[{"title":"Default Title","offer_id":51104909361448,"sku":"harribluek","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/products\/harribluek.jpg?v=1759852862","url":"https:\/\/better-records.com\/products\/harribluek_2511_2_5x__","provider":"Better Records","version":"1.0","type":"link"}