{"product_id":"grateworki_2609","title":"Grateful Dead - Workingman's Dead - White Hot Stamper","description":"\u003cp\u003e\u003cstrong\u003e*NOTE:\u003c\/strong\u003e On side 1, there is a white dot that plays as 3 moderate to loud ticks at the start of track 2, \"High Time.\" On side 2, there is a mark that plays 3 times at a moderate level at the very end of track 2, \"Black Peter.\"\u003c\/p\u003e\n\u003cp\u003eThis early Warner Brothers pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back.\u003c\/p\u003e\n\u003cp\u003eIf you love hearing INTO a recording, actually being able to \"see\" the performers, and feeling as if you are sitting in the control room hearing the master tape being played back, or, better yet, the direct feed from the studio, this is the record for you. It's what vintage analog recordings are known for -- \u003ci\u003ethis sound\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIf you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but less than one percent of new records do, if our experience with the hundreds we've played can serve as a guide.\u003c\/p\u003e\n\u003cp\u003eYou don't need tube equipment to hear the prodigious amounts of Tubey Magic that exist on this recording. For those of you who've experienced top quality analog pressings of Meddle or Dark Side of the Moon, or practically any jazz album on Contemporary, whether played through tubes or transistors, \u003ci\u003ethat's\u003c\/i\u003e the luscious sound of Tubey Magic, and it is all over Workingman's Dead.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/search?q=tag:%22tubey-magical-acoustic-guitars%22\"\u003e\u003cstrong\u003eTubey Magical acoustic guitar\u003c\/strong\u003e\u003c\/a\u003e reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with the richness, body and harmonic coherency that have all but disappeared from modern recordings (and remasterings).\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of Workingman's Dead Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n\u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in \u003ca href=\"\/search?q=tag:%221970%22\"\u003e\u003cstrong\u003e1970\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n\u003cli\u003eNatural tonality in the midrange -- with all the instruments having the correct timbre\u003c\/li\u003e\n\u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional studio space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo doubt there's more but we hope that should do for now. \u003ci\u003ePlaying the record is the only way to hear all of the qualities we discuss above,\u003c\/i\u003e and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.\u003c\/p\u003e\n\u003ch3\u003eA Good Old Band\u003c\/h3\u003e\n\u003cp\u003eJerry Garcia, discussing where the band's thinking was at at the time, explained, \"We were into a much more relaxed thing...and we were also out of our pretentious thing. We weren’t feeling so much like an experimental music group, but were feeling more like a good old band.\"\u003c\/p\u003e\n\u003cp\u003eMickey Hart added, \"I thought, what a wonderful thing -- acoustic guitars. It was cold out there in the feedback, electric GD world. It was a great cold, a wonderful freeze, full of exploratory moments and great vision, but here we were exploring the soft side... I remember how warm and fuzzy it made me feel.\"\u003c\/p\u003e\n\u003ch3\u003eWhat We're Listening For On Workingman's Dead\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnergy\u003c\/strong\u003e for starters. What could be more important than the life of the music?\u003c\/li\u003e\n\u003cli\u003eThen: \u003cstrong\u003epresence and immediacy\u003c\/strong\u003e. The vocals aren't \"back there\" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Big Sound\u003c\/strong\u003e comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.\u003c\/li\u003e\n\u003cli\u003eThen \u003cstrong\u003etransient information\u003c\/strong\u003e -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTight punchy bass\u003c\/strong\u003e -- which ties in with good transient information, also the issue of frequency extension further down.\u003c\/li\u003e\n\u003cli\u003eNext: \u003cstrong\u003etransparency\u003c\/strong\u003e -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtend the top and bottom\u003c\/strong\u003e and \u003ci\u003evoila\u003c\/i\u003e, you have The Real Thing -- an honest to goodness Hot Stamper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e\n\u003ch3\u003eTrack Commentary\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eTracklist\u003c\/strong\u003e tab above will take you to a select song breakdown for each side, with plenty of What to Listen For advice. Other records with track breakdowns can be found \u003ca href=\"\/search?q=tag:%22track-commentary%22\"\u003e\u003cstrong\u003ehere\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eA Must Own Rock Record\u003c\/h3\u003e\n\u003cp\u003eThis Demo Disc quality recording should be part of any serious rock collection. Others that belong in that category can be found \u003ca href=\"\/search?q=tag:%22core-rock-collection%22\"\u003e\u003cstrong\u003ehere\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e","brand":"Grateful Dead","offers":[{"title":"Default Title","offer_id":52314563510568,"sku":"grateworki","price":749.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/files\/grateworkin.jpg?v=1748374438","url":"https:\/\/better-records.com\/products\/grateworki_2609","provider":"Better Records","version":"1.0","type":"link"}