The copy we are selling is similar to the one pictured above.
Side One: Mint Minus Minus (often quieter than this grade)
Side Two: Mint Minus Minus (often quieter than this grade)
- This pressing boasts very good Hot Stamper sound from the first note to last
- This is a surprisingly well produced, well recorded album - low-distortion, lively, solid and punchy down low - just what this music needs
- 4 stars: "Good-time rock & roll remains at the core of the group's music, but the sound of the record is glossier, shining with synthesizers and big pop hooks."
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Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.
This vintage EMI pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.
What the Best Sides of Freeze Frame Have to Offer Is Not Hard to Hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as 1981
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What are sonic qualities by which a Pop or Rock record -- any Pop or Rock record -- should be judged?
Pretty much the ones we discuss in most of our Hot Stamper listings: energy, vocal presence, frequency extension (on both ends), transparency, spaciousness, harmonic textures (freedom from smear is key), rhythmic drive, tonal correctness, fullness, richness, three-dimensionality, and on and on down the list.
When we hear a fair number of the qualities mentioned above on the side we're playing, we will provisionally award that side a Hot Stamper grade, which is often revised over the course of the shootout as we hear what the other copies are doing. Once we've been through all of our side ones, we then play the best of the best of them against each other to arrive at an official Shootout Winner.
Other copies have their grades raised or lowered depending on how they sound relative to the shootout winner, the record that was doing it all (or as much as possible - even some Triple Plus copies have been known to have a minor shortcoming or two). Repeat the process for the other side and the shootout is officially over. All that's left is to see how the sides of each copy match up.
That's why the most common grade for a White Hot stamper pressing is Triple Plus (A+++) on one side and Double Plus (A++) on the other. Finding the two best sounding sides on the same LP does happen, but it sure doesn't happen as often as we would like (!) -- there are just too many variables in the mastering and pressing processes to ensure consistent quality.
It may not be rocket science, but it's a science of a kind, one with strict protocols that we've developed over the course of many years to ensure that the results we arrive at are as accurate as we can make them.
The result of all our work speaks for itself, on this very record in fact. We guarantee you have never heard this music sound better than it does on this Hot Stamper pressing -- or your money back.
Mint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
- Rage In The Cage
- Do You Remember When
- Insane, Insane Again
- River Blindness
- Angel In Blue
- Piss On The Wall
AMG 4 Star Review
Tempering their bar band R&B with a touch of new wave pop production, the J. Geils Band finally broke through into the big leagues with Freeze Frame. Fans of the hard-driving rock of the group's '70s albums will find the sleek sound of Freeze Frame slightly disorienting, but the production gives the album cohesion.
Good-time rock & roll remains at the core of the group's music, but the sound of the record is glossier, shining with synthesizers and big pop hooks. With its singalong chorus, "Centerfold" exemplifies this trend, but it's merely the tip of the iceberg. "Freeze Frame" has a great stop-start chorus, "Flamethrower" and "Piss on the Wall" rush along on hard-boogie riffs, and "Angel in Blue" is terrific neo-doo wop. There are still a handful of throwaways, but even the filler has a stylized, synthesized flair that makes it enjoyable, and the keepers are among the band's best.