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White Hot Stamper - Bob Dylan - At Budokan
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White Hot Stamper

Bob Dylan
At Budokan

Regular price
$249.99
Regular price
$299.99
Sale price
$249.99
Unit price
per 
Availability
Sold out

Sonic Grade

Side One:

Side Two:

Side Three:

Side Four:

Vinyl Grade

Side One: Mint Minus to Mint Minus Minus

Side Two: Mint Minus to Mint Minus Minus

Side Three: Mint Minus to Mint Minus Minus

Side Four: Mint Minus to Mint Minus Minus

  • KILLER sound throughout with Shootout Winning Triple Plus (A+++) sound on sides one, three and four, and solid Double Plus (A++) sound on the second side - exceptionally quiet vinyl too
  • The overall sound here is super rich and Tubey Magical with tons of energy and a huge bottom end
  • "The fire and brimstone are behind Dylan, [but] this hardly means the fight has gone out of him: Bob Dylan at Budokan is a very contentious effort—and, for the most part, a victorious one." Rolling Stone
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This vintage Columbia pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.

What outstanding sides such as these have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1979
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange -- with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional space of the concert venue
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We Listen For on Bob Dylan At Budokan

  • Energy for starters. What could be more important than the life of the music?
  • Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.
  • The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.

  • Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.

  • Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
  • Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
  • Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.

Vinyl Condition

Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful originals.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.


Side One

Mr. Tambourine Man
Shelter From The Storm
Love Minus Zero/No Limit
Ballad Of A Thin Man
Don't Think Twice, It's Allright

Side Two

Maggie's Farm
One More Cup Of Coffee (Valley Below)
Like A Rolling Stone
I Shall Be Released
Is Your Love In Vain?
Going, Going, Gone

Side Three

Blowin' In The Wind
Just Like A Woman
Oh, Sister
Simple Twist Of Fate
All Along The Watchtower
I Want You

Side Four

All I Really Want To Do
Knockin' On Heaven's Door
It's Alright Ma (I'm Only Bleeding
Forever Young
The Times They Are A-Changin'