{"product_id":"doorsstran_2607-1","title":"Doors, The - Strange Days - Super Hot Stamper (With Issues)","description":"\u003cp\u003e\u003cstrong\u003e*NOTE:\u003c\/strong\u003e The first 1\/2 (approx.) of track 2 on side 1, \"You're Lost Little Girl,\" plays a little noisier than Mint Minus Minus. There is groovewear that is audible lightly and intermittently throughout all of the last track on side 2, \"When the Music's Over.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*NOTE:\u003c\/strong\u003e Side 2 of this record was not noisy enough to rate our M-- to EX++ grade, but it's not quite up to our standards for Mint Minus Minus either. If you're looking for quiet vinyl, this is probably not the best copy for you.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eIf you're looking to demonstrate just how good 1967 All Tube Analog sound can be, this copy will do just that.\u003c\/p\u003e\n\u003cp\u003eIt's spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you'll wonder how anyone seriously contemplated trying to improve it.\u003c\/p\u003e\n\u003cp\u003eThis \u003ci\u003eis\u003c\/i\u003e the sound of Tubey Magic. No recordings will ever be made like this again, and no CD will ever capture what is in the grooves of this record. There are lots of CDs of this album, but those of us in possession of a working turntable and a good collection of vintage vinyl couldn't care less.\u003c\/p\u003e\n\u003ch3\u003eBotnick Is The Man\u003c\/h3\u003e\n\u003cp\u003eThis album is of course engineered by the legendary \u003ca href=\"\/search?q=tag:%22bruce-botnick%22\"\u003e\u003cstrong\u003eBruce Botnick\u003c\/strong\u003e\u003c\/a\u003e. The better pressings give you the kind of low-end punch and midrange presence you hear on The Doors' and Love's first albums (when you play the right gold label originals, of course). Botnick engineered them all, and they are hard to beat for recordings from 66 and 67.\u003c\/p\u003e\n\u003cp\u003eAll tube from start to finish, the energy captured on these Hot Stampers has to be heard to be believed. Not to mention the fact that the live-in-the-studio musicians are swimming in natural ambience, with instruments leaking from one mic to another, and most of them bouncing back and forth off the studio walls to boot.\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of Strange Days Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n\u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in \u003ca href=\"\/search?q=tag:%221967%22\"\u003e\u003cstrong\u003e1967\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n\u003cli\u003eNatural tonality in the midrange -- with all the instruments having the correct timbre\u003c\/li\u003e\n\u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional studio space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo doubt there's more but we hope that should do for now. Playing the record is, of course, the only way to hear all of the above.\u003c\/p\u003e\n\u003ch3\u003eWho Knew The First Two Doors Albums Were So Well Recorded?\u003c\/h3\u003e\n\u003cp\u003eStrange Days and L.A. Woman are the two Doors albums that rarely sound good on vinyl. You rarely see top quality Hot Stamper copies of either on the site, simply because most pressings leave a lot to be desired, and they sure don't come cheap these days -- not in audiophile playing condition anyway.\u003c\/p\u003e\n\u003cp\u003eFew audiophiles (and practically no member of the general public) have any idea how well recorded these albums are because most pressings do such a poor job of getting the energy of the master tape in their grooves.\u003c\/p\u003e\n\u003cp\u003eMost early pressings are opaque, flat, thin, veiled, compressed and lifeless. They sound exactly the way so many old rock records sound: like an old rock record. The Butterfly and Small Red E labels are so contemptibly thin and harsh they are not worth the vinyl they're pressed on. When Elektra sought to reissue these Doors records in the 70s they obviously had no interest in preserving on vinyl the superb quality of the sound of the original tapes.\u003c\/p\u003e\n\u003cp\u003eThe Gold CDs Hoffman mastered for DCC are wonderful, by far the best I have heard The Doors in digital. The early CDs from the 80s are of course a joke, as flat and thin sounding as the reissued LPs. There's a lot of crap out there, folks. If you want to find good sound for The Doors albums, you clearly have your work cut out for you.\u003c\/p\u003e\n\u003ch3\u003eSize and Space\u003c\/h3\u003e\n\u003cp\u003eOne of the qualities that we don't talk about on the site nearly enough is the SIZE of the record's presentation. Some copies of the album just sound small -- they don't extend all the way to the outside edges of the speakers, and they don't seem to take up all the space from the floor to the ceiling. In addition, the sound can often be recessed, with a lack of presence and immediacy in the center.\u003c\/p\u003e\n\u003cp\u003eOther copies -- my notes for these copies often read \"BIG and BOLD\" -- create a huge soundfield, with the music positively jumping out of the speakers. They're not brighter, they're not more aggressive, they're not hyped-up in any way, they're just \u003ci\u003ebigger\u003c\/i\u003e and \u003ci\u003eclearer\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eWe often have to go back and downgrade the copies that we were initially impressed with in light of such a standout pressing. Who knew the recording could be that huge, spacious and three dimensional? We sure didn't, not until we played the copy that had those qualities, and that copy might have been number 8 or 9 in the rotation.\u003c\/p\u003e\n\u003cp\u003eThink about it: if you had only seven copies, you might not have ever gotten to hear a copy that sounded that open and clear. And how many even dedicated audiophiles would have more than one of two clean vintage pressings with which to do a shootout? These kinds of records are expensive and hard to come by in good shape. Believe us, we know whereof we speak when it comes to getting hold of vintage pressings of Classic Rock albums.\u003c\/p\u003e\n\u003cp\u003eOne further point needs to be made: most of the time these very special pressings just plain \u003ci\u003erock harder\u003c\/i\u003e. When you hear a copy do what this copy can, it's an entirely different - and dare I say unforgettable -- listening experience.\u003c\/p\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful originals.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e","brand":"Doors, The","offers":[{"title":"Default Title","offer_id":52095939281192,"sku":"doorsstran","price":249.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/files\/doorsstran.jpg?v=1782154742","url":"https:\/\/better-records.com\/products\/doorsstran_2607-1","provider":"Better Records","version":"1.0","type":"link"}