The copy we are selling is similar to the one pictured above.
Side One: Mint Minus to Mint Minus Minus
Side Two: Mint Minus to Mint Minus Minus
- This superb vintage UK pressing of the band's sophomore album boasts Nearly Triple Plus (A++ to A+++) sound from start to finish - just shy of our Shootout Winner - exceptionally quiet vinyl too
- Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they're making these days - the UK LPs are the only way to fly on Communique
- If you're a fan of the band's debut release, you'll find much to like on this underappreciated follow up
- Forget the domestic pressings, forget whatever lame reissues have come or will come down the pike -- if you want to hear this album right, a killer Hot Stamper British pressing like this one is the only way to go
- "...an album full of the delicate subtleties that make Mark Knopfler shimmer — that deep tobacco-soaked voice, the quick, fluid guitar, and the wit behind many of his lyrics... a rich, abundant source of beauty."
100% Money Back Guarantee on all Hot Stampers
FREE Domestic Shipping on all LP orders over $75
These Nearly White Hot Stamper pressings have top-quality sound that's often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers ("relative" being relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don't agree, please feel free to return the record for a full refund, no questions asked.
This pressing is super spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage late-'70s analog at its best, so full-bodied and relaxed you'll wonder how it ever came to be that anyone seriously contemplated trying to improve it.
This is the sound of Tubey Magic. No recordings will ever be made like this again, and no CD will ever capture what is in the grooves of this record. There may well be a CD of this album, but those of us in possession of a working turntable and a good collection of vintage vinyl could care less.
What the Best Sides of Communique Have to Offer Is Not Hard to Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1979
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We're Listening For on Communique
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
- Once upon a Time in the West
- Where Do You Think You're Going?
- Lady Writer
- Angel of Mercy
- Portobello Belle
- Single-Handed Sailor
- Follow Me Home
...an album full of the delicate subtleties that make Mark Knopfler shimmer — that deep tobacco-soaked voice, the quick, fluid guitar, and the wit behind many of his lyrics.
Knopfler possesses the too-often-ignored ability to understate just the right elements and come out with something that knocks attentive listeners on their asses. It’s a gift that has never been overly abundant in popular music, but when it’s discovered, it’s a rich, abundant source of beauty. Dire Straits’ Communiqué is precisely that kind of album. It has the reputation of being one of the lesser Dire Straits offerings, and yet, it seems, for the right listeners, this album ascends to the status of “favorite.” I may start considering myself one of those listeners.
Tom Johnson, somethingelsereviews.com