The copy we are selling is similar to the one pictured above.
Side One: Mint Minus Minus
Side Two: Mint Minus Minus
- This outstanding pressing of the band's debut boasts solid Double Plus (A++) sound throughout
- Surprisingly rich and full-bodied, this pressing really ROCKS with plenty of bass and big punchy drums
- "... hailed by critics as Dio's best work and a classic staple in the heavy metal genre"
- 4 1/2 stars: "... it wasn't all that surprising -- impressive, but not surprising -- when he struck gold yet again when launching his solo vehicle, Dio, via 1983's terrific Holy Diver album... Holy Diver still the undisputed highlight of Dio's career, and, indeed, one of the finest pure heavy metal albums of the 1980s."
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This vintage Warner Brothers pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.
What the Best Sides of Holy Diver Have to Offer Is Not Hard to Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1983
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We're Listening For on Holy Diver
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.
Mint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
- Stand Up And Shout
- Holy Diver
- Caught In The Middle
- Don't Talk To Strangers
- Straight Through The Heart
- Rainbow In The Dark
- Shame On The Night
AMG 4 1/2 Star Review
After playing a major role in five positively classic heavy metal albums of the late '70s and early '80s (three with Ritchie Blackmore's Rainbow and two with Black Sabbath), it seemed that singer Ronnie James Dio could truly do no wrong. So it wasn't all that surprising -- impressive, but not surprising -- when he struck gold yet again when launching his solo vehicle, Dio, via 1983's terrific Holy Diver album. Much like those two, hallowed Sabbath LPs, Heaven and Hell and Mob Rules, Holy Diver opened at full metallic throttle with the frenetic "Stand Up and Shout," before settling into a dark, deliberate, and hypnotic groove for the timelessly epic title track -- a worthy successor to glorious triumphs past like Rainbow's "Stargazer" and the Sabs' "Sign of the Southern Cross."
Although most fans would agree that Dio would arguably never again replicate the simply sublime symbiosis of beauty and brawn achieved by the all-time standout "Don't Talk to Strangers." And, to be fair, aside from Ronnie's unquestionably stellar songwriting, Holy Diver's stunning quality and consistency owed much to his carefully chosen bandmates, including powerhouse drummer (and fellow Sabbath survivor) Vinny Appice, veteran bassist Jimmy Bain, and a phenomenal find in young Irish guitarist Vivian Campbell, whose tastefully pyrotechnic leads helped make this the definitive Dio lineup. So, too, is Holy Diver still the undisputed highlight of Dio's career, and, indeed, one of the finest pure heavy metal albums of the 1980s.