The copy we are selling is similar to the one pictured above.
Side One: Mint Minus to Mint Minus Minus*
Side Two: Mint Minus Minus*
- An excellent RCA Victor pressing with Double Plus (A++) sound from start to finish
- We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you've heard, and that's especially true if you own whatever Heavy Vinyl pressing is currently on the market
- Marks in the vinyl are the nature of the beast with these early pressings - there simply is no way around them if the superior sound of vintage analog is important to you
- "Propelled by the title track, Rocky Mountain High became John Denver's first Top Ten album [and] contained one of Denver's finest ballads, "Goodbye Again," as well as one of his better old songs, "For Baby (For Bobbie)."
100% Money Back Guarantee on all Hot Stampers
FREE Domestic Shipping on all LP orders over $150
*NOTE: On side 1, there is a mark that plays 12 times at a moderate to loud level about 1/2 way into track 2. On side 2, the first 1/2 of track 2 is quite noisy and plays with a repeating tick. There is another mark about 1/2 way into track 2 that plays 12 times loudly.
This vintage RCA Victor pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.
What The Best Sides Of Rocky Mountain High Have To Offer Is Not Hard To Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1972
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We're Listening For On Rocky Mountain High
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
- Rocky Mountain High
- Mother Nature's Son
- For Baby (For Bobbie)
- Darcy Farrow
- Goodbye Again
- Season Suite:
- - Summer
- - Fall
- - Winter
- - Late Winter, Early Spring (When Everybody Goes To Mexico)
- - Spring
Propelled by the title track, Rocky Mountain High became John Denver's first Top Ten album. Though Denver still couldn't figure out how to fill out an entire album without covering his betters (in this case, old favorites the Beatles and John Prine), he and his steady backup musicians, bassist Dick Kniss and guitarist Mike Taylor, were evolving into an exuberant folk-country sound that would prove enormously appealing over the next few years. The album contained one of Denver's finest ballads, "Goodbye Again," as well as one of his better old songs, "For Baby (For Bobbie)."