{"product_id":"davisseven_2603_5x__","title":"Davis, Miles - Seven Steps to Heaven - Super Hot Stamper","description":"\u003cp\u003eThis is an interesting album because half of it is recorded in Hollywood and half of it in New York, with the songs in each location interspersed on the sides. Victor Feldman handles the piano duties in California; Herbie Hancock in New York. I actually prefer Victor Feldman’s playing on this record. We don’t get to hear his piano work often — he’s really quite good. (Cal Tjader started out on the drums but it’s tough to find records with him drumming.)\u003c\/p\u003e\n\u003cp\u003eOne of the thoughts that occurred to me when I was playing this record is this: Why is there no audiophile reissue on any label that sounds like this? There’s something about the sound of these old records, these original pressings, that’s impossible to recapture with modern equipment. It may not be impossible, but until somebody manages to do it, it might as well be.\u003c\/p\u003e\n\u003cp\u003eIf you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of Seven Steps to Heaven Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n\u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in \u003ca href=\"\/search?q=tag:%221963%22\"\u003e\u003cstrong\u003e1963\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n\u003cli\u003eNatural tonality in the midrange -- with all the instruments having the correct timbre\u003c\/li\u003e\n\u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional studio space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo doubt there's more but we hope that should do for now. \u003ci\u003ePlaying the record is the only way to hear all of the qualities we discuss above,\u003c\/i\u003e and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.\u003c\/p\u003e\n\u003cp\u003eCopies with \u003cstrong\u003erich lower mids and nice extension up top\u003c\/strong\u003e did the best in our shootout, assuming they weren't veiled or smeary of course. So many things can go wrong on a record. We know, we've heard them all.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTop end extension\u003c\/strong\u003e is critical to the sound of the best copies. Lots of old records (and new ones) have no real top end; consequently, the studio or stage will be missing much of its natural air and space, and instruments will lack their full complement of harmonic information.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTube smear\u003c\/strong\u003e is common to most vintage pressings. The copies that tend to do the best in a shootout will have the least (or none), yet are full-bodied, tubey and rich.\u003c\/p\u003e\n\u003ch3\u003eWhat We're Listening For On Seven Steps to Heaven\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnergy\u003c\/strong\u003e for starters. What could be more important than the life of the music?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Big Sound\u003c\/strong\u003e comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.\u003c\/li\u003e\n\u003cli\u003eThen \u003cstrong\u003etransient information\u003c\/strong\u003e -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTight, full-bodied bass\u003c\/strong\u003e -- which ties in with good transient information, also the issue of frequency extension further down.\u003c\/li\u003e\n\u003cli\u003eNext: \u003cstrong\u003etransparency\u003c\/strong\u003e -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtend the top and bottom\u003c\/strong\u003e and \u003ci\u003evoila\u003c\/i\u003e, you have The Real Thing -- an honest to goodness Hot Stamper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eThe Players and Personnel\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBass – \u003ca href=\"\/search?q=tag:%22Ron-Carter%22\"\u003e\u003cstrong\u003eRon Carter\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eDrums – Anthony Williams (tracks: \"Seven Steps To Heaven,\" \"So Near, So Far,\" \"Joshua\")\u003c\/li\u003e \n\u003cli\u003eDrums - \u003ca href=\"\/search?q=tag:%22Frank-Butler%22\"\u003e\u003cstrong\u003eFrank Butler\u003c\/strong\u003e\u003c\/a\u003e (tracks: \"Basin Street Blues,\" \"I Fall In Love Too Easily,\" \"Baby Won't You Please Come Home\")\u003c\/li\u003e\n\u003cli\u003ePiano – \u003ca href=\"\/search?q=tag:%22Herbie-Hancock%22\"\u003e\u003cstrong\u003eHerbie Hancock\u003c\/strong\u003e\u003c\/a\u003e (tracks: \"Seven Steps To Heaven,\" \"So Near, So Far,\" \"Joshua\")\u003c\/li\u003e \n\u003cli\u003ePiano - \u003ca href=\"\/search?q=tag:%22Victor-Feldman%22\"\u003e\u003cstrong\u003eVictor Feldman\u003c\/strong\u003e\u003c\/a\u003e (tracks: \"Basin Street Blues,\" \"I Fall In Love Too Easily,\" \"Baby Won't You Please Come Home\")\u003c\/li\u003e\n\u003cli\u003eProducer – \u003ca href=\"\/search?q=tag:%22Teo-Macero%22\"\u003e\u003cstrong\u003eTeo Macero\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTenor Saxophone – George Coleman\u003c\/li\u003e\n\u003cli\u003eTrumpet – Miles Davis\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e\n\n","brand":"Davis, Miles","offers":[{"title":"Default Title","offer_id":51800526225704,"sku":"davisseven","price":399.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/files\/davissevenstepsnew.jpg?v=1772913270","url":"https:\/\/better-records.com\/products\/davisseven_2603_5x__","provider":"Better Records","version":"1.0","type":"link"}