{"product_id":"coodeselft_2607-1","title":"Cooder, Ry - Self-Titled - White Hot Stamper","description":"\u003cp\u003eThe music reminds me a lot of early Little Feat, which is a good thing. The sound is somewhat similar as well, which is to say that it is natural and musical, nothing like the hyped-up hi-fi sound of his TAS-listed album Jazz -- and that's a good thing as well.\u003c\/p\u003e\n\u003cp\u003eThere are some great songs here, including \"My Old Kentucky Home,\" \"One Meatball,\" and \"How Can A Poor Man Stand Such Times And Live.\" It may even be his best album.\u003c\/p\u003e\n\u003cp\u003eThis vintage Reprise stereo pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to \"see\" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- \u003ci\u003ethis sound\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIf you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of Ry Cooder Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n\u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in \u003ca href=\"\/search?q=tag:%221970%22\"\u003e\u003cstrong\u003e1970\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n\u003cli\u003eNatural tonality in the midrange -- with all the instruments having the correct timbre\u003c\/li\u003e\n\u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional studio space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo doubt there's more but we hope that should do for now. \u003ci\u003ePlaying the record is the only way to hear all of the qualities we discuss above,\u003c\/i\u003e and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.\u003c\/p\u003e\n\u003ch3\u003eLee Herschberg\u003c\/h3\u003e\n\u003cp\u003eOne of the top guys at Warners, Herschberg recorded and mixed this album (with the help of four other engineers), as well as a number of others by Ry Cooder. You'll also find his name on many of the best Doobie Brothers, Gordon Lightfoot and Frank Sinatra album credits, albums we know to have potentially excellent sound, not to mention an album most audiophiles know all too well, Rickie Lee Jones' debut.\u003c\/p\u003e\n\u003cp\u003eHis pop and rock engineering credits run for pages. Won the Grammy for Strangers in the Night even.\u003c\/p\u003e\n\u003cp\u003eThe most amazing jazz piano trio recording we know of is on the list as well: The Three (Shelly Manne, Ray Brown and Joe Sample), along with most of the other direct to disc recordings released on Eastwind such as those by the LA Four.\u003c\/p\u003e\n\u003ch3\u003eWhat We're Listening For On Ry Cooder's Brilliant Debut\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnergy\u003c\/strong\u003e for starters. What could be more important than the life of the music?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Big Sound\u003c\/strong\u003e comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.\u003c\/li\u003e\n\u003cli\u003eThen \u003cstrong\u003etransient information\u003c\/strong\u003e -- fast, clear, sharp attacks for the piano, guitar, mandolin, and percussion, not the smear and thickness common to most LPs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTight, note-like bass with clear fingering\u003c\/strong\u003e -- which ties in with good transient information, as well as the issue of frequency extension further down.\u003c\/li\u003e\n\u003cli\u003eNext: \u003cstrong\u003etransparency\u003c\/strong\u003e -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the players.\u003c\/li\u003e\n\u003cli\u003eThen: \u003cstrong\u003epresence and immediacy\u003c\/strong\u003e. The musicians aren't \"back there\" somewhere, way behind the speakers. They're front and center where any recording engineer worth his salt would have put them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtend the top and bottom\u003c\/strong\u003e and \u003ci\u003evoila\u003c\/i\u003e, you have The Real Thing -- an honest to goodness Hot Stamper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eUnusual Instrumentation\u003c\/h3\u003e\n\u003cp\u003eLike any Ry Cooder album, part of the charm here is the selection of unusual instruments that Ry and his cronies like to play.\u003c\/p\u003e\n\u003cp\u003eBut the variety of instruments alone are not what makes it so enjoyable, it's that Cooder has a knack for knowing exactly what elements will work musically in a song. Anyone can find a few exotic elements and throw them together, but our man Ry has the good sense to use only the ideas and instruments that work for the material at hand.\u003c\/p\u003e\n\u003cp\u003eIt's why Jazz, Chicken Skin Music, and Buena Vista Social Club -- albums that are fairly different from one another -- are equally successful, each in its own way. A lot of people can do these things, but only Ry can do them this well.\u003c\/p\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and one side is even quieter than that. Since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic that is a key part of the appeal of these wonderful recordings.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e\n\u003ch3\u003eA Must Own Pop Record\u003c\/h3\u003e\n\u003cp\u003eWe consider Ry Cooder's debut a \u003ca href=\"\/search?q=tag:%22pop-masterpiece%22\"\u003e\u003cstrong\u003eMasterpiece\u003c\/strong\u003e\u003c\/a\u003e. It's a recording should be part of any serious popular music collection.\u003c\/p\u003e \n\u003cp\u003eOthers that belong in that category can be found \u003ca href=\"\/search?q=tag:%22core-pop-collection%22\"\u003e\u003cstrong\u003ehere\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e","brand":"Cooder, Ry","offers":[{"title":"Default Title","offer_id":52141785514280,"sku":"coodeselft","price":499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/files\/coodeselft.jpg?v=1784567748","url":"https:\/\/better-records.com\/products\/coodeselft_2607-1","provider":"Better Records","version":"1.0","type":"link"}