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White Hot Stamper - Commodores - Commodores

The copy we are selling is similar to the one pictured above.

White Hot Stamper

Commodores
Commodores

Regular price
$249.99
Regular price
Sale price
$249.99
Unit price
per 
Availability
Sold out

Sonic Grade

Side One:

Side Two:

Vinyl Grade

Side One: Mint Minus Minus

Side Two: Mint Minus Minus

  • An amazing copy of the band's illustrious self-titled release with Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish
  • Punchy and smooth, with the kind of rhythmic energy that brings out both the pop-soul of "Easy" and the funk of "Brick House"
  • We guarantee there is dramatically more richness, fullness, vocal presence, and 'life" on this copy than others you've heard, and that's especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • 4 stars: "The Commodores' early years were spent on the Southern funk circuit, where their energetic, catchy tunes, and keyboard-oriented funk made them both a college and a radio staple... This collection highlights early up-tempo and ballad hits."
More Commodores

Sku # : commocommo_2009
Our Price :
$249.99

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This vintage Motown pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the Commodores, this is the record for you. It's what vintage all analog recordings are known for -- this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.

What separates the best copies from the also-rans is more than just rich, sweet, full-bodied sound. The better copies make Lionel's voice more palpable -- he's simply more of a solid, three dimensional, real presence between the speakers. You can hear the nuances of his delivery much, MUCH more clearly on a copy that sounds as good as this does

What the best sides of Commodores have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as 1977
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange -- with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional space of the studio

No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We're Listening For on Commodores

  • Energy for starters. What could be more important than the life of the music?
  • The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information -- fast, clear, sharp attacks for the guitars, horns and drums, not the smear and thickness common to most LPs.
  • Tight, note-like bass with clear fingering -- which ties in with good transient information, as well as the issue of frequency extension further down.
  • Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the players.
  • Then: presence and immediacy. The vocals aren't "back there" somewhere, way behind the speakers. They're front and center where any recording engineer worth his salt would have put them.
  • Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.

Vinyl Condition

Mint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic that is a key part of the appeal of these wonderful recordings.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.


Side One

Squeeze The Fruit
Funny Feelings
Heaven Knows
Zoom

Side Two

Won't You Come Dance With Me
Brick House
Funky Situation
Patch It Up
Easy

AMG 4 Star Review

The Commodores' early years were spent on the Southern funk circuit, where their energetic, catchy tunes, and keyboard-oriented funk made them both a college and a radio staple. They scored seminal hits with "Brick House" and "Slippery When Wet," although it became apparent quite early that lead vocalist Lionel Richie also had a bright future as a solo balladeer, with such tunes as "Easy" signaling his future on adult contemporary and Quiet Storm/urban contemporary radio. This collection highlights early up-tempo and ballad hits.