The copy we are selling is similar to the one pictured above.
Side One: Mint Minus to Mint Minus Minus*
Side Two: Mint Minus to Mint Minus Minus
Side Three: Mint Minus to Mint Minus Minus*
Side Four: Mint Minus to Mint Minus Minus
- This outstanding pressing boasts Double Plus (A++) sound or BETTER all four sides of this stunning double live album - exceptionally quiet vinyl too (leaving aside the few marks mentioned below)
- Sure to be the best live Clapton sound you'll hear on vinyl - and the music is wonderful as well
- 4 1/2 stars: "Although Eric Clapton has released a bevy of live albums, none of them have ever quite captured the guitarist's raw energy and dazzling virtuosity. The double live album Just One Night may have gotten closer to that elusive goal than most of its predecessors... Led by guitarist Albert Lee, the group is a collective of accomplished professionals who have managed to keep some grit in their playing. They help push Clapton along, forcing him to spit out crackling solos throughout the album."
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*NOTE: On side 1, there is a mark on the edge of the side that plays 8 times at a moderate level over the cheering crowd, but it does not affect the music. There is another mark about 1" into track 2 that plays 5 times at a light to moderate level. On side 3, there is a mark 1/4" from the end of track 2 that plays 7 times very lightly.
With so many bad sounding Clapton albums from the mid- to late '70s out there in the bins, it's refreshing to hear this material sounding lively and clear for a change. The performances seem to hold up as well. If you like the "Tulsa Time" era, this record is going to be hard to beat.
Many of his best songs are here, including "Lay Down Sally," "Wonderful Tonight," "After Midnight," "Blues Power," "Cocaine," "Further On Up the Road" and plenty more.
This vintage RSO pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are listening live to the band, this is the record for you. It's what vintage, all analog recordings are known for -- this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.
What The Best Sides Of Clapton's Live Double Album Have To Offer Is Not Hard To Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes even as late as 1980
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
Size and Space
One of the qualities that we don't talk about on the site nearly enough is the SIZE of the record's presentation. Some copies of the album just sound small -- they don't extend all the way to the outside edges of the speakers, and they don't seem to take up all the space from the floor to the ceiling. In addition, the sound can often be recessed, with a lack of presence and immediacy in the center.
Other copies -- my notes for these copies often read "BIG and BOLD" -- create a huge soundfield, with the music positively jumping out of the speakers. They're not brighter, they're not more aggressive, they're not hyped-up in any way, they're just bigger and clearer.
We often have to go back and downgrade the copies that we were initially impressed with in light of such a standout pressing. Who knew the recording could be that huge, spacious and three dimensional? We sure didn't, not until we played the copy that had those qualities, and that copy might have been number 8 or 9 in the rotation.
Think about it: if you had only seven copies, you might not have ever gotten to hear a copy that sounded that open and clear. And how many of even the most dedicated of audiophiles would have more than one of two clean vintage pressings with which to do a shootout? These kinds of records are expensive and hard to come by in good shape. Believe us, we know whereof we speak when it comes to getting hold of vintage pressings of Classic Rock albums.
One further point needs to be made: most of the time these very special pressings just plain rock harder. When you hear a copy do what this copy can, it's an entirely different - and dare I say unforgettable -- listening experience.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
- Tulsa Time
- Early in the Morning
- Lay Down Sally
- Wonderful Tonight
- If I Don't Be There by Morning
- Worried Life Blues
- All Our Past Times
- After Midnight
- Double Trouble
- Setting Me Up
- Blues Power
- Rambling on My Mind
- Further on Up the Road
AMG 4 1/2 Star Review
Although Eric Clapton has released a bevy of live albums, none of them have ever quite captured the guitarist's raw energy and dazzling virtuosity. The double live album Just One Night may have gotten closer to that elusive goal than most of its predecessors...
The most notable difference between Just One Night and Clapton's other live albums is his backing band. Led by guitarist Albert Lee, the group is a collective of accomplished professionals who have managed to keep some grit in their playing. They help push Clapton along, forcing him to spit out crackling solos throughout the album.