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White Hot Stamper - Charlie Byrd - Delicately

The copy we are selling is similar to the one pictured above.

White Hot Stamper

Charlie Byrd
Delicately

Columbia Records
Regular price
$99.99
Regular price
Sale price
$99.99
Unit price
per 
Availability
Sold out

Sonic Grade

Side One:

Side Two:

Vinyl Grade

Side One: Mint Minus Minus

Side Two: Mint Minus Minus

  • Byrd's 1968 release finally arrives on the site with STUNNING Shootout Winning Triple Plus (A+++) sound on this Columbia 360 Label LP
  • Teo Macero's production here is rich, sweet, and highly resolving, with all the space and three-dimensionality that Frank Laico's brilliant engineering is known for
  • This is the first Columbia Charlie Byrd shootout we've ever done - we dropped the needle on a copy a while back and were shocked at the sound we were hearing
  • More importantly, the music on this enchanting jazz/pop guitar album is every bit as good as the sound quality (and that is rarely the case with these kinds of records - we should know, we've played scores of them)
More recordings with especially Tubey Magical Acoustic Guitars

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Hearing is definitely believing, especially in our unique corner of the record business -- we don't give a fig about who, why or when a record was made; we just play it and judge it based on what we hear in its grooves. Needless to say. this pressing of the album was judged to be a knockout.

Apparently the album has garnered attention from other audiophiles - HDTracks offers a high-rez digital download of it!

This vintage Columbia 360 pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.

What the best sides of Delicately have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1968
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange -- with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional space of the studio

No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

Copies with rich lower mids and nice extension up top did the best in our shootout, assuming they weren't veiled or smeary of course. So many things can go wrong on a record! We know, we've heard them all.

Top end extension is critical to the sound of the best copies. Lots of old records (and new ones) have no real top end; consequently, the studio or stage will be missing much of its natural air and space, and instruments will lack their full complement of harmonic information.

Tube smear is common to most vintage pressings and this is no exception. The copies that tend to do the best in a shootout will have the least (or none), yet are full-bodied, tubey and rich.

What We're Listening For on Delicately

  • Energy for starters. What could be more important than the life of the music?
  • The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information -- fast, clear, sharp attacks, not the smear and thickness common to most LPs.
  • Tight, note-like bass with clear fingering -- which ties in with good transient information, as well as the issue of frequency extension further down.
  • Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the players.
  • Then: presence and immediacy. The guitar isn't "back there" somewhere, way behind the speakers. It's front and center where any recording engineer worth his salt -- legendary Columbia engineer Frank Laico in this case (with Arthur Kendy's assistance) -- would have put it.
  • Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.

The Players

Bass – Joe Byrd Flute – Mario Darpino Guitar – Charlie Byrd

Vinyl Condition

Mint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic that is a key part of the appeal of these wonderful recordings.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.


Side One

Theme From "The Fox"
Somewhere, My Love
Theme From "Valley Of The Dolls"
Try To Remember
Two For The Road
When I Look In Your Eyes

Side Two

Soon It's Gonna Rain
Once Upon A Time
By The Time I Get To Phoenix
Sunrise, Sunset
Sunday Mornin'