{"product_id":"beethsym4_monteux_2508_11_1x__","title":"Beethoven \/ Wagner - Symphony No. 4 \/ Siegfried Idyll \/ Monteux - Super Hot Stamper","description":"\u003cp\u003eBoth sides of this early Plum Label Victrola pressing are superb, with the kind of string tone only found on the best of the Living Stereo releases and other top quality Golden Age recordings.\u003c\/p\u003e\n\u003cp\u003eHere is the kind of sound that Classic Records could not ignore, even though the original was only ever made available as part of RCA’s budget reissue series, Victrola.\u003c\/p\u003e\n\u003cp\u003eDon’t let its budget status fool you -- this pressing puts to shame most of what came out on the full price Living Stereo label. (And handily beats any Classic Records reissue ever made.)\u003c\/p\u003e\n\u003cp\u003eAnd Monteux is once again superb.\u003c\/p\u003e\n\u003cp\u003eWe played a large group of Beethoven’s symphonies this week and this was clearly one of the best, if not \u003cu\u003ethe\u003c\/u\u003e best. Well recorded Beethoven is hard to come by. The box sets we played were mediocre at best, and that left us with only a handful of clean early pressings. These records just aren’t out there like they used to be.\u003c\/p\u003e\n\u003cp\u003eThis vintage pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to \"see\" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- \u003ci\u003ethis sound\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIf you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of Beethoven's Symphony No. 4 and Wagner's Siegfried Idyll Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n\u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in \u003ca href=\"\/search?q=tag:%221965%22\"\u003e\u003cstrong\u003e1965\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n\u003cli\u003eNatural tonality in the midrange -- with all the instruments having the correct timbre\u003c\/li\u003e\n\u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional studio space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo doubt there's more but we hope that should do for now. \u003ci\u003ePlaying the record is the only way to hear all of the qualities we discuss above,\u003c\/i\u003e and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.\u003c\/p\u003e\n\u003cp\u003eCopies with \u003cstrong\u003erich lower mids and nice extension up top\u003c\/strong\u003e did the best in our shootout, assuming they weren't veiled or smeary of course. So many things can go wrong on a record. We know, we've heard them all.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTop end extension\u003c\/strong\u003e is critical to the sound of the best copies. Lots of old records (and new ones) have no real top end; consequently, the studio or stage will be missing much of its natural air and space, and instruments will lack their full complement of harmonic information.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTube smear\u003c\/strong\u003e is common to most vintage pressings. The copies that tend to do the best in a shootout will have the least (or none), yet are full-bodied, tubey and rich.\u003c\/p\u003e\n\u003ch3\u003eWhat We're Listening For On Beethoven's Symphony No. 4 and Wagner's Siegfried Idyll\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnergy\u003c\/strong\u003e for starters. What could be more important than the life of the music?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Big Sound\u003c\/strong\u003e comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.\u003c\/li\u003e\n\u003cli\u003eThen \u003cstrong\u003etransient information\u003c\/strong\u003e -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePowerful bass\u003c\/strong\u003e -- which ties in with good transient information, also the issue of frequency extension further down.\u003c\/li\u003e\n\u003cli\u003eNext: \u003cstrong\u003etransparency\u003c\/strong\u003e -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtend the top and bottom\u003c\/strong\u003e and \u003ci\u003evoila\u003c\/i\u003e, you have The Real Thing -- an honest to goodness Hot Stamper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e\n\u003ch3\u003eA Must Own Classical Record\u003c\/h3\u003e\n\u003cp\u003eThis Demo Disc quality recording should be part of any serious classical music collection. Others that belong in that category can be found \u003ca href=\"\/search?q=tag:%22core-classical-collection%22\"\u003e\u003cstrong\u003ehere\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e","brand":"Beethoven, Ludwig van","offers":[{"title":"Default Title","offer_id":50599423672616,"sku":"beethsym4_monteux","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/products\/R-9908783-1592610963-3497_19b2997e-ced3-4ee5-9a6e-71dd009827b9.jpg?v=1671296769","url":"https:\/\/better-records.com\/products\/beethsym4_monteux_2508_11_1x__","provider":"Better Records","version":"1.0","type":"link"}