{"product_id":"beatlletit_2609-1","title":"Beatles, The - Let It Be - White Hot Stamper","description":"\u003cp\u003e\u003cstrong\u003e*NOTE:\u003c\/strong\u003e There is a superficial scuff on track 3 on side 1, \"Across the Universe,\" that does not play and cannot be heard.\u003c\/p\u003e\n\u003cp\u003eAt its best, Let It Be has the power of live music, but it takes a special pressing such as this one to show you that sound. It's a bit trickier trying to find good sound for this album than it is for some of the other albums in the Beatles' catalog.\u003c\/p\u003e\n\u003cp\u003eThis vintage Apple pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to \"see\" the performers, and feeling as if you are listening live or sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- \u003ci\u003ethis sound\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIf you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of Let It Be Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n\u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in \u003ca href=\"\/search?q=tag:%221970%22\"\u003e\u003cstrong\u003e1970\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n\u003cli\u003eNatural tonality in the midrange -- with all the instruments having the correct timbre\u003c\/li\u003e\n\u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional space of the studio and rooftop\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo doubt there's more but we hope that should do for now. \u003ci\u003ePlaying the record is the only way to hear all of the qualities we discuss above,\u003c\/i\u003e and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.\u003c\/p\u003e\n\u003ch3\u003eThe Beatles: Rock Band\u003c\/h3\u003e\n\u003cp\u003eOn the better pressings, the natural rock n' roll energy of a song such as \"Dig A Pony\" will blow your mind. There's no studio wizardry, no heavy-handed mastering, no phony EQ -- just the sound of the greatest pop\/rock band of all time playing and singing their hearts out.\u003c\/p\u003e\n\u003cp\u003eIt's the kind of thrill you really don't get from the more psychedelic albums like Sgt. Pepper's or Magical Mystery Tour. You have to go all the way back to Long Tall Sally and Roll Over Beethoven to find the Beatles consistently letting loose the way they do on Let It Be (or at least on the tracks that are more or less live, which make up about half the album).\u003c\/p\u003e\n\u003ch3\u003eWhat We're Listening For On Let It Be\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnergy\u003c\/strong\u003e for starters. What could be more important than the life of the music?\u003c\/li\u003e\n\u003cli\u003eThen: \u003cstrong\u003epresence and immediacy\u003c\/strong\u003e. The vocals aren't \"back there\" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Big Sound\u003c\/strong\u003e comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.\u003c\/li\u003e\n\u003cli\u003eThen \u003cstrong\u003etransient information\u003c\/strong\u003e -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTight punchy bass\u003c\/strong\u003e -- which ties in with good transient information, also the issue of frequency extension further down.\u003c\/li\u003e\n\u003cli\u003eNext: \u003cstrong\u003etransparency\u003c\/strong\u003e -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtend the top and bottom\u003c\/strong\u003e and \u003ci\u003evoila\u003c\/i\u003e, you have The Real Thing -- an honest to goodness Hot Stamper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eThe Brits Are King\u003c\/h3\u003e\n\u003cp\u003eThe British copies seem to be the only way to go for this album. In years past we've played German copies which were a mixed bag -- some tracks would sound very good but others would sound funny. Some Capitol pressings are surprisingly good [some of the Purple label pressings will do in a pinch; definitely avoid the originals]. That said, they'll never have all the magic of the master tape. It takes a superb copy to get this album right, and this Hot Stamper really does the job.\u003c\/p\u003e\n\u003cp\u003eIt still surprises us how boring the average British copy is. (Of course, the German pressings and the domestic copies are even worse, but you probably already knew that.)\u003c\/p\u003e\n\u003cp\u003eYou've got to do a lot of work to find a copy of Let It Be that doesn't sound murky, sleepy, thick and\/or veiled. We went through a massive stack of nothing but British imports and only a select group were fun and involving enough to merit the Hot Stamper designation.\u003c\/p\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e\n\u003ch3\u003eTrack Commentary\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eTracklist\u003c\/strong\u003e tab above will take you to a select song breakdown for each side, with plenty of What to Listen For advice.\u003c\/p\u003e\n\u003cp\u003eOther records with track breakdowns can be found \u003ca href=\"\/search?q=tag:%22track-commentary%22\"\u003e\u003cstrong\u003ehere\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e","brand":"Beatles, The","offers":[{"title":"Default Title","offer_id":52395190321448,"sku":"beatlletit","price":599.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/files\/beatlletit.jpg?v=1736875612","url":"https:\/\/better-records.com\/products\/beatlletit_2609-1","provider":"Better Records","version":"1.0","type":"link"}