The copy we are selling is similar to the one pictured above.
Side One: Mint Minus Minus (often quieter than this grade)
Side Two: Mint Minus Minus
- With two seriously good Double Plus (A++) sides, this was one of the better sounding copies we played in our recent shootout
- We guarantee there is dramatically more richness, fullness and presence on this copy than others you've heard, and that's especially true for whatever godawful Heavy Vinyl pressing is currently being foisted on a much too credulous record buying public
- "Hideaway is the sixth original studio album by American folk rock trio America, released in 1976. The album was produced by legendary Beatles producer George Martin. The album was a hit in the US, peaking at number 11 on the Billboard album chart and being certified GOLD by the RIAA." - Wikipedia
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This vintage pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.
What the Best Sides of Hideaway Have to Offer Is Not Hard to Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1976
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
Geoff Emerick recorded it and George Martin produced it, but don't expect to hear the kind of analog magic that put five Beatles records from that team in our Top 100. This copy has far more Tubey Magic than most, but Sgt. Pepper it ain't.
Unless you are very lucky, or went through a ton of copies like we did, what you probably have, if you have the record at all, is sound that is smaller, flatter, more recessed, more compressed, and less extended top to bottom. If this accurately describes your copy, we have the cure for what ails you right here.
What We Listen For on Hideaway
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt -- Geoff Emerick in this case -- would have put them.
- The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful originals.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
- Lovely Night
- Amber Cascades
- Don't Let It Get You Down
- Can't You See
- Watership Down
- She's Beside You
- Hideaway, Part 1
- She's a Liar
- Today's the Day
- Jet Boy Blue
- Who Loves You
- Hideaway, Part 2