{"product_id":"aerosselft_2606","title":"Aerosmith - Self-Titled - Super Hot Stamper (With Issues)","description":"\u003cp\u003e\u003cstrong\u003e*NOTE:\u003c\/strong\u003e There is light groovewear audible throughout all of track 3 on side 1, \"Dream On,\" and approx. the first 1\/2 of track 4 \/ the last track, \"One Way Street.\"\u003c\/p\u003e\n\u003cp\u003eVintage covers for this album are hard to find in exceptionally clean shape. Most of the will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\"Mama Kin,\" a perennial staple of the band's live performances and arguably the best rocker on the album, sounds fantastic here, huge and open with some serious presence. As you might expect from a debut, the sound here is a bit rougher and rawer than later albums like Toys in the Attic, but that's not altogether a bad thing for this kind of loose, greasy hard rock.\u003c\/p\u003e\n\u003cp\u003eThis vintage Columbia pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to \"see\" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- \u003ci\u003ethis sound\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eIf you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.\u003c\/p\u003e\n\u003ch3\u003eWhat The Best Sides Of Aerosmith's Debut Album Have To Offer Is Not Hard To Hear\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe biggest, most immediate staging in the largest acoustic space\u003c\/li\u003e\n\u003cli\u003eThe most Tubey Magic, without which you have \u003ci\u003ealmost\u003c\/i\u003e nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in \u003ca href=\"\/search?q=tag:%221973%22\"\u003e\u003cstrong\u003e1973\u003c\/strong\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTight, note-like, rich, full-bodied bass, with the correct amount of weight down low\u003c\/li\u003e\n\u003cli\u003eNatural tonality in the midrange -- with all the instruments having the correct timbre\u003c\/li\u003e\n\u003cli\u003eTransparency and resolution, critical to hearing into the three-dimensional studio space\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNo doubt there's more but we hope that should do for now. \u003ci\u003ePlaying the record is the only way to hear all of the qualities we discuss above,\u003c\/i\u003e and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.\u003c\/p\u003e\n\u003ch3\u003eSize and Space\u003c\/h3\u003e\n\u003cp\u003eOne of the qualities that we don't talk about on the site nearly enough is the SIZE of the record's presentation. Some copies of the album just sound small -- they don't extend all the way to the outside edges of the speakers, and they don't seem to take up all the space from the floor to the ceiling. In addition, the sound can often be recessed, with a lack of presence and immediacy in the center.\u003c\/p\u003e\n\u003cp\u003eOther copies -- my notes for these copies often read \"BIG and BOLD\" -- create a huge soundfield, with the music positively jumping out of the speakers. They're not brighter, they're not more aggressive, they're not hyped-up in any way, they're just \u003ci\u003ebigger\u003c\/i\u003e and \u003ci\u003eclearer\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eWe often have to go back and downgrade the copies that we were initially impressed with in light of such a standout pressing. Who knew the recording could be that huge, spacious and three dimensional? We sure didn't, not until we played the copy that had those qualities, and that copy might have been number 8 or 9 in the rotation.\u003c\/p\u003e\n\u003cp\u003eThink about it: if you had only seven copies, you might not have ever gotten to hear a copy that sounded that open and clear. And how many even dedicated audiophiles would have more than one or two clean original copies with which to do a shootout? These records are expensive and hard to come by in good shape. Believe us, we know whereof we speak when it comes to getting hold of early pressings of Classic Rock albums.\u003c\/p\u003e\n\u003cp\u003eOne further point needs to be made: most of the time these very special pressings just plain \u003ci\u003erock harder\u003c\/i\u003e. When you hear a copy do what this copy can, it's an entirely different -- and dare I say unforgettable -- listening experience.\u003c\/p\u003e\n\u003ch3\u003eWhat We're Listening For On Aerosmith\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnergy\u003c\/strong\u003e for starters. What could be more important than the life of the music?\u003c\/li\u003e\n\u003cli\u003eThen: \u003cstrong\u003epresence and immediacy\u003c\/strong\u003e. The vocals aren't \"back there\" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Big Sound\u003c\/strong\u003e comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.\u003c\/li\u003e\n\u003cli\u003eThen \u003cstrong\u003etransient information\u003c\/strong\u003e -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTight punchy bass\u003c\/strong\u003e -- which ties in with good transient information, also the issue of frequency extension further down.\u003c\/li\u003e\n\u003cli\u003eNext: \u003cstrong\u003etransparency\u003c\/strong\u003e -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtend the top and bottom\u003c\/strong\u003e and \u003ci\u003evoila\u003c\/i\u003e, you have The Real Thing -- an honest to goodness Hot Stamper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVinyl Condition\u003c\/h3\u003e\n\u003cp\u003eMint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)\u003c\/p\u003e\n\u003cp\u003eThose of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.\u003c\/p\u003e\n\u003cp\u003eIf you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.\u003c\/p\u003e\n\u003ch3\u003eA Tough Record to Play\u003c\/h3\u003e\n\u003cp\u003eThis is a \u003ca href=\"\/search?q=tag:%22difficulty-of-reproduction%22\"\u003e\u003cstrong\u003edifficult record to reproduce\u003c\/strong\u003e\u003c\/a\u003e. Do not attempt to play it using anything other than the highest quality equipment.\u003c\/p\u003e\n\u003cp\u003eUnless your system is firing on all cylinders, even our hottest Hot Stamper copies -- the Super Hot and White Hot pressings with the biggest, most dynamic, clearest, and least distorted sound -- can have problems. Your system should be thoroughly warmed up, your electricity should be clean and cooking, you've got to be using the right room treatments, and we also highly recommend using a demagnetizer such as the Walker Talisman on the record, your cables (power, interconnect and speaker) as well as the individual drivers of your speakers.\u003c\/p\u003e\n\u003cp\u003eThis is a record that's going to demand a lot from the listener, and we want to make sure that you feel you're up to the challenge. If you don't mind putting in a little hard work, here's a record that will reward your time and effort many times over, and probably teach you a thing or two about tweaking your gear in the process (especially your VTA adjustment, just to pick an obvious area many audiophiles neglect).\u003c\/p\u003e","brand":"Aerosmith","offers":[{"title":"Default Title","offer_id":51900976496936,"sku":"aerosselft","price":74.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0257\/3415\/2295\/products\/aerosaeros_27401c8d-97a0-44f3-99cb-147a9c79a70c.jpg?v=1625790090","url":"https:\/\/better-records.com\/products\/aerosselft_2606","provider":"Better Records","version":"1.0","type":"link"}