Side One: Mint Minus Minus
Side Two: Mint Minus Minus
- An outstanding vintage pressing with Double Plus (A++) sound throughout for Bob Seger's breakthrough album (the 8th time's the charm)
- A big step up over most of what we've heard - richer, fuller, more dynamic, more lively and just plain more fun
- Knock the album if you like, but there's no denying it's one of Seger's best and certainly a '70s classic - every song's a hit, and deservedly so
- 5 stars: "One of the universally acknowledged high points of late-'70s rock & roll. And, because of his passion and craft, it remains a thoroughly terrific record years later."
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Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.
It's not easy to find killer pressings of this album -- it took us plenty of fruitless shootouts before we figured anything out. Most copies out there are thin and dry, which is no way to hear these classic '70s tracks. We brought in copy after copy that made us think, "I swear this sounds better on the radio!"
Finally, after pulling together a ton of copies from different eras, we started to realize that there were indeed vinyl pressings of Night Moves that sounded right... but they are few and far between, the exception and not the rule so to speak. This copy is one of the better ones we played in our most recent shootout, no question about it.
Knock this album if you like, but there's no denying it's one of Seger's best and certainly a '70s classic. It may not have the audiophile appeal of Tea For The Tillerman, but it's a blast when it sounds this good.
What the best sides of Seger's Must Own Classic album have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1976
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
What We're Listening For on Bob Seger's Albums
Less grit - smoother and sweeter sound, something that is not easy to come by on any Bob Seger album.
A bigger presentation - more size, more space, more room for all the instruments and voices to occupy. The bigger the speakers you have to play this record the better.
More bass and tighter bass. This is fundamentally a pure rock record. It needs weight down low to rock the way the engineers wanted it to.
Present, breathy vocals. A veiled midrange is the rule, not the exception.
Good top end extension to reproduce the harmonics of the instruments and details of the recording including the studio ambience.
Last but not least, balance. All the elements from top to bottom should be heard in harmony with each other. Take our word for it, assuming you haven't played a pile of these yourself, balance is not that easy to find.
Our best copies will have it though, of that there is no doubt.
Not only is it hard to find great copies of this album, it ain't easy to play 'em either. You're going to need a hi-res, super low distortion front end with careful adjustment of your arm in every area -- VTA, tracking weight, azimuth and anti-skate -- in order to play this album properly. If you've got the goods you're gonna love the way this copy sounds. Play it with a budget cart / table / arm and you're likely to hear a great deal less magic than we did.
Mint Minus Minus is about as quiet as any original pressing will play, and since only the right originals have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic that is a key part of the appeal of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
Rock and Roll Never Forgets
The Fire Down Below
Come to Poppa
Ship of Fools
Seger and his Silver Bullet Band — who turn in their first studio album here — sound intense and ferocious, and the songs are subtly varied. Yes, this is all hard rock, but the acoustic ballads reveal the influence of Dylan and Van Morrison, filtered through a Midwestern sensibility, and the rockers reveal more of Seger's personality than ever.
Seger may have been this consistent before (on Seven, for example), but the mood had never been as successfully varied, nor had his songwriting been as consistent, intimate, and personal. Thankfully, this was delivered to a mass audience eager for Seger, and it not only became a hit, but one of the universally acknowledged high points of late-'70s rock & roll. And, because of his passion and craft, it remains a thoroughly terrific record years later.
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