The copy we are selling is similar to the one pictured above.
Side One: Mint Minus to Mint Minus Minus*
Side Two: Mint Minus to Mint Minus Minus*
- You'll find seriously good Double Plus (A++) sound on both sides of this Heart rocker that dominated the airwaves in 1978 - exceptionally quiet vinyl too
- "Straight On" is the killer track from this one, and you can be sure it will rock your world on this Hot Stamper pressing
- Turn it up and you will hear all that wonderful, grungy texture on the guitars, as well as a big fat snare keeping the beat - that's our sound, baby!
- "...the more resounding punch of Straight On went all the way to number 15 as the album’s first single. With the vocals and guitar work sounding fuller and more focused, the band seems to be rather comfortable once again."
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*NOTE: On side 1, there is a mark that plays once as a moderate to loud pop about 1/4" from the end of track 3. On side 2, there is another mark that plays once as a moderate pop about 1/4" into track 2.
Vintage covers for this album are hard to find in exceptionally clean shape. Most of the will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG
Like the best copies of Dreamboat Annie and Little Queen, this is classic '70s ANALOG at its best. The sound is RICH and WARM with no sacrifice in either clarity or punch.
The best copies make the case for just how good the album can sound, with wonderful grungy texture to the guitars and a big fat snare keeping the beat. (Heart had a great band behind them in the old days. When they left, so did much of the reason to play Heart's records.)
This vintage Portrait pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.
What The Best Sides Of Dog and Butterfly Have To Offer Is Not Hard To Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1978
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We're Listening For On Dog and Butterfly
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.
Mint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
- Cook With Fire
- High Time
- Straight On
- Dog & Butterfly
- Lighter Touch
- Nada One
- Mistral Wind
Like their Magazine album, Dog & Butterfly peaked at number 17 on the charts, but the material from it is much stronger from every standpoint, with Anne and Nancy Wilson involving themselves to a greater extent. The light, afternoon feel of the title track peaked at number 34, while the more resounding punch of Straight On went all the way to number 15 as the album’s first single. With keyboard player Howard Leese making his presence felt, and the vocals and guitar work sounding fuller and more focused, the band seems to be rather comfortable once again.