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White Hot Stamper - The Gregg Allman Band - Playin' Up A Storm

The copy we are selling is similar to the one pictured above.

Nearly White Hot Stamper

The Gregg Allman Band
Playin' Up A Storm

Regular price
$149.99
Regular price
Sale price
$149.99
Unit price
per 
Availability
Sold out

Sonic Grade

Side One:

Side Two:

Vinyl Grade

Side One: Mint Minus to Mint Minus Minus*

Side Two: Mint Minus Minus

  • This superb pressing boasts nearly Triple Plus (A++ to A+++) sound from start to finish - just shy of our Shootout Winner - fairly quiet vinyl too
  • A surprisingly well-recorded album - the sound is exceptionally rich, smooth and natural in the best tradition of Seventies Analog
  • "Playin' Up a Storm is a well-made, expertly performed set of blues-rock, soul-pop, and straight-ahead rock and roll ...the thing that makes it one of Allman's best solo efforts is the terrific performances. Not only is he in fine voice, delivering each song with conviction, but his supporting band - featuring such luminaries as Dr. John and Bill Payne - is sterling."

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*NOTE: On side one, Track 3, Brightest Smile In Town, and Track 4, Bring It On Back, play closer to Mint Minus Minus.

These Nearly White Hot Stamper pressings have top-quality sound that's often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers ("relative" being relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don't agree, please feel free to return the record for a full refund, no questions asked.

These early Capricorn pressings have the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn't showing signs of coming back. If you love hearing INTO a recording, actually being able to "see" the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It's what vintage all analog recordings are known for -- this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it -- not often, and certainly not always -- but maybe one out of a hundred new records do, and those are some pretty long odds.

What the best sides of Playin' Up A Storm have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1977
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange -- with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We're Listening For on Playin' Up A Storm

  • Energy for starters. What could be more important than the life of the music?
  • Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.
  • The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
  • Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
  • Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
  • Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
  • Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.

Vinyl Condition

Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.

Side One

  • Come And Go Blues
  • Let This Be A Lesson To Ya'
  • Brightest Smile In Town
  • Bring It On Back

Side Two

  • Cryin' Shame
  • Sweet Feelin'
  • It Ain't No Use
  • Matthew's Arrival
  • One More Try

AMG Review

Playin' Up a Storm is a well-made, expertly performed set of blues-rock, soul-pop, and straight-ahead rock & roll. There aren't any true classics here, but the thing that makes it one of Allman's best solo efforts is the terrific performances. Not only is he in fine voice, delivering each song with conviction, but his supporting band -- featuring such luminaries as Dr. John and Bill Payne -- is sterling. All the grooves are in the pocket, the sound is enticing, and the overall effect is just right.