
The copy we are selling is similar to the one pictured above.
Sonic Grade
Side One:
Side Two:
Vinyl Grade
Side One: Mint Minus Minus to EX++
Side Two: Mint Minus Minus to EX++*
- Roxy's fourth studio LP, here with INSANELY GOOD Shootout Winning Triple Plus (A+++) grades on both sides of this original UK Island pressing
- Here are just a few of the things we had to say about this amazing copy in our notes: "great size and energy"..."sweet and tubey"..."big, note-like bass"..."huge and solid and jumping out of the speakers"..."lots of weight and body"
- This one is simply bigger, richer, more clear and more Tubey Magical than all other copies we heard in our recent shootout
- Marks and problems in the vinyl are sometimes the nature of the beast with these vintage LPs, but once you hear just how killer sounding this copy is, you might be inclined, as we were, to stop counting ticks and pops and just be swept away by the music
- 5 stars: "…Country Life finds Roxy Music at the peak of their powers, alternating between majestic, unsettling art rock and glamorous, elegant pop/rock. Roxy Music rarely sounded as invigorating as they do here."

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*NOTE: There is a mark that plays 25 times lightly at the start of track 1 on side 2, "Bitter Sweet."
Many of the best songs Bryan Ferry ever wrote and Roxy Music ever played are on this album. Musically, it’s right up there with the first album and Siren. All three represent the high watermark of early- to mid-70s Arty Rock.
These British pressings give you the richest, fullest, biggest sound with the least amount of sibilance, grain and grunge. It’s the rich, full-bodied analog sound -- with some problems, to be sure -- that we adore here at Better Records.
We thank John Punter for his engineering and production at George Martin’s legendary AIR Studios.
What The Best Sides Of Country Life Have To Offer Is Not Hard To Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1974
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
Other Pressings
The domestic, German, Japanese and Dutch pressings are not remotely competitive with the Brits on this album (which is not true for all Roxy’s albums but clearly true for this one, Siren being the obvious exception to the rule).
Roxy’s Art Rock
Now for those of you who are not big Roxy Music fans and don’t know this music, this album may take a bit of getting used to. We assure you it will be well worth your while. We think it’s brilliant.
And if you do consider yourself a fan of Art Rock, every Roxy album should be on your shelf, right up there with your Bowie, Pink Floyd, Supertramp, Eno, Peter Gabriel, 10cc and too many others to list. (Most are personal favorites of mine, albums I have played hundreds of times over the last 40 years and plan to keep playing until my ears give out.)
What We're Listening For On Country Life
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.
Vinyl Condition
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
Track Commentary
The Tracklist tab above will take you to a select song breakdown for each side, with plenty of What to Listen For advice. Other records with track breakdowns can be found here.
A Must Own Record
This is a recording should be part of any serious rock collection. Others that belong in that category can be found here.
Side One
- The Thrill of It All
- Three and Nine
- All I Want Is You
- Out of the Blue
- If It Takes All Night
On the better copies this track is the very definition of Tubey Magical richness and smoothness.
A little thinner and brighter than the other tracks on this side as a rule.
The best guitar solo ever played on the violin. Go Eddie!
Side Two
- Bitter Sweet
- Triptych
- Casanova
- A Really Good Time
- Prairie Rose
The better copies have monstrous bass on this track, along with huge amounts of space. Again, the Tubey Magic can be off the charts here.
The vocals on this track will always spit to some degree. The cleanest, most tonally correct sibilance is what you are looking for on this track. That, and amazing rock energy!
AMG 5 Star Rave Review
Continuing with the stylistic developments of Stranded, Country Life finds Roxy Music at the peak of their powers, alternating between majestic, unsettling art rock and glamorous, elegant pop/rock. At their best, Roxy combine these two extremes, like on the exhilarating opener "The Thrill of It All," but Country Life benefits considerably from the ebb and flow of the group's two extremes, since it showcases their deft instrumental execution and their textured, enthralling songwriting.
And, in many ways, Country Life offers the greatest and most consistent set of Roxy Music songs, illustrating their startling depth. From the sleek rock of "All I Want Is You" and "Prairie Rose" to the elegant, string-laced pop of "A Really Good Time," Country Life is filled with thrilling songs, and Roxy Music rarely sounded as invigorating as they do here.