Sonic Grade
Side One:
Side Two:
Vinyl Grade
Side One: Mint Minus Minus (often quieter than this grade)
Side Two: Mint Minus Minus (often quieter than this grade)
- You'll find very good Hot Stamper sound on both sides of this vintage London pressing - fairly quiet vinyl too
- It's richer, fuller and with more presence than the average copy, and that's especially true for whatever godawful Heavy Vinyl pressing is currently being foisted on an unsuspecting record buying public
- This is true of even our lowest-priced, lowest-graded copies - they are guaranteed to sound much better than any pressing you can find on the market today, as well as any pressing you may already own
- Performances and sound like no other - De Burgos's Suite Espanola is practically in a league of its own
More Classical and Orchestral Recordings / More Orchestral Spectaculars

100% Money Back Guarantee on all Hot Stampers
FREE Domestic Shipping on all LP orders over $150
Note that careful VTA adjustment for a record with this kind of dynamic energy is a must. Having your front end carefully calibrated to this record is the only way to guarantee there is no distortion or shrillness in even the loudest passages.
What to Listen For
Clear castanets.
Big bass drum thwacks.
Crescendos that build to intense climaxes.
We Was Wrong (Already?)
The last time we did this shootout we noted:
The strings may not be quite as sweet as the best earlier Londons, but the trade off is well worth it when you hear a record with this kind of life and so little distortion. Rich strings (or as rich as they can be in 1969, a good ten years after the amazingly Tubey Magical recordings of the 50s).
This time around we heard plenty of Tubey Magic on our Shootout Winning pressing. Did we find a hotter one than last time? Are we doing a better job of bringing out that quality during playback? Would this pressing hold its own against another recording made in Kingsway Hall a decade earlier?
Yes. No. Maybe? Who really knows?
What The Best Sides Of Suite Espanola Have To Offer Is Not Hard To Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1968
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange -- with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
Kingsway Hall
These sessions were recorded in the glory that is Kingsway Hall. Released in 1968, CS 6581 is yet another remarkable disc from Decca's Golden Age of Orchestral Recording.
De Burgos breathes life into this work as only he can, and the Decca engineering team led by Kenneth Wilkinson do him proud.
What We're Listening For On Suite Espanola
- Energy for starters. What could be more important than the life of the music?
- The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.
Vinyl Condition
Mint Minus Minus is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.
A Must Own Classical Record
This orchestral spectacular should have a place of honor in any audiophile's classical collection.
Others that belong in that category can be found here.
Side One
- Castilla (Seguidillas)
- Asturias (Leyenda)
- Aragon (Fantasia)
- Cadiz (Cancion)
Side Two
- Sevilla (Sevillanas)
- Granada (Serenata)
- Cataluna (Corranda)
- Cordoba