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Our Audiophile Scorecard - Winners and Losers

Audio Commentary  >  Audiophile  >  Our Audiophile Scorecard - Winners and Losers

Our Audiophile Vinyl Scorecard -- Winners and Losers

Click here to sort the section alphabetically by manufacturer.

We have a section specifically devoted to our favorite pastime here at Better Records, a little something we like to call
Debunking The Pseudo-Audiophile LP. The Audiophile's Choice -- the record that will do the best job of communicating the music through its superior sound quality -- is almost never going to be the one marketed to him as an Audiophile Pressing. If you find this in any way hard to believe, we encourage you to read on.

This section contains ratings and reviews of some of the Audiophile records that have come our way over the years. The most recent reviews are at the top. Records that have been given poor grades can also be found in our Hall of Shame, in the company of other audiophile pressings we found wanting.

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The Three - The Three (45 RPM)

  (Item #: threethree_fame) 



A distinguished member of our Unconventional Hall of Fame.

Folks, you are looking at the BEST SOUNDING RECORD we have ever played here at Better Records, and the good news for you dear reader, whether you're a true believer, a skeptic, or fall somewhere in between, is that it can be yours. There was a time when a record like this would go directly into my collection. If I wanted to impress someone, audiophile or otherwise, with the You-Are-There illusion that only Big Speakers in a dedicated room playing a LIVE recording can create, this would be the clear choice, possibly the only choice. There is simply nothing like it on vinyl in my experience.

See all pressings of The Three in stock


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The Doobie Brothers - Minute By Minute

Nautilus Debunked

  (Item #: doobiminut_debunk) 




Sonic Grade: D

A Hall of Shame pressing and another Half Speed debunked.

You may remember reading on the site that we used to like the Nautilus Half-Speed of this title. Playing our Nautilus copy against the better domestic pressings made us wonder what the hell we must have been smoking. The Nautilus was awful -- veiled and compressed, with a lightweight bottom end. (The Nautilus of Threshold of a Dream is another one we used to like and boy does that record sound awful these days.)

See all of our Doobie Brothers albums in stock


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The Beatles - With the Beatles

MoFi Reviewed

  (Item #: beatlwith_mofi) 



Sonic Grade: C+


Another in our series of Home Audio Exercises.

The Mobile Fidelity pressing of this album has so many problems it would take an hour to describe them all. Suffice it to say, it’s thinner and brighter, with voices that are grittier and grainier. The overall effect is the sinking feeling that you are listening to a cheap reissue and not the real thing. Don’t the Beatles sound better than this? To be fair, some tracks are okay, others a disaster.

See all pressings of With the Beatles in stock


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Crosby, Stills & Nash on Nautilus

THE Most Bloated Bass in Half Speed History

  (Item #: crosbcrosb_nr_debunk) 



Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

An audiophile record dealer (of course; who else?) once raved to me about Crosby Stills and Nash on Nautilus. I said "What are you talking about? That version sucks!" He replied "No, it’s great. Helplessly Hoping sounds amazing."

Now one thing I know about the Nautilus is that although it is wonderfully transparent in the midrange, it may very well take the cake for the most bloated, out of control bass in the history of Half Speed mastering. What song on that album has almost no bass, just lovely voices in the midrange? You guessed it. Helplessly Hoping.

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The Beatles - Let It Be

MoFi Reviewed

  (Item #: beatlletit_mfsl) 



Sonic Grade: B or B-

Although I haven't played my copy in quite a while -- it might have been as far back as 2007 or 2008 if memory serves -- I recall that it struck me as one of their better titles.

All things considered, it's actually pretty good, assuming your copy sounds like mine (an assumption we really can't make of course -- no two records sound the same -- but for the purposes of this review we're going to assume it anyway). I would give it a "B" or "B-". It can't hold a candle to the real thing, but at least MoFi didn't ruin it like they did with so many of the other Beatles albums. For more on that subject, please read the commentaries for the Hot Stamper pressings on the site.

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Genesis - A Trick Of The Tail

MoFi Debunked

  (Item #: genesatric_mfsl_debunk) 



Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

The last time I played the MoFi I could not believe how ridiculously COMPRESSED it was. On top of that, the midrange is badly sucked out (as is the case with most MoFi's) making the sound as dead as dead can be. You think 180 gram records are lifeless? Play this piece of crap and see just how bad an audiophile record can sound.

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The Moody Blues - Days of Future Passed

MoFi Debunked

  (Item #: moodydayso_debunk) 



Sonic Grade: C

The MoFi pressing has a boosted top end, making everything sparkle and causing the string tone for the orchestral parts to become exceedingly hi-fi-ish. In our Hot Stamper commentary we noted:

The sound is fundamental to the experience. The strings of the orchestra sound as sweet as any Decca, the soundstage wide and deep as any symphonic recording. For those of you who still think Mobile Fidelity is the king on this one, here’s a record that demonstrates what truly natural highs really are. The Moodies used Decca’s classical engineers, not their pop ones, and those guys know what orchestral instruments actually sound like.

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Hall and Oates - Abandoned Luncheonette

MoFi Debunked

  (Item #: hallaaband_debunk_) 



Sonic Grade: F

A Hall of Shame pressing and another MoFi LP debunked.

Those of you who have had the misfortune to play the MoFi LP know that they absolutely ruined this album. They boosted the hell out of the top end, the last thing in the world this recording needed.

Actually, that’s probably not true. People who collect MoFi records tend to like the kind of phony sound found on the MOFI of this title. To the extent that a MoFi collector is not happy with the sound, my guess is he would more than likely place the blame on the recording, not the mastering.

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